¹ Temperley, Nicholas, The Music of the English Parish Church (Cambridge 1979), p. 1 Google Scholar

² Information from James Darragh, ‘The Catholic Population of Scotland 1878–1977’ in Modern Scottish Catholicism 1878–1978, ed. David McRoberts (Glasgow 1979), pp. 211–247

³ Muir, Thomas, Roman Catholic Church Music in England, 1791–1914: A Handmaid of the Liturgy? (Aldershot 2008), p. 7 Google Scholar

⁴ Blundell, Odo OSB, Ancient Catholic Homes of Scotland (London 1907), p. 9 Google Scholar

⁵ Alexander Peterkin, ed. The Booke of the Universalle Kirk of Scotland, quoted in Mark Dilworth, ‘Roman Catholic Worship in Scotland’, in Forrester, Duncan B. and Murray, Douglas M., ed, Studies in the History of Worship in Scotland (Edinburgh 1984), p. 132 Google Scholar.

⁶ Anderson, W. J., ‘Catholic Family Worship on Deeside’. Innes Review vol 18 (1967), p. 151 Google Scholar.

⁷ Lauder, John Sir of Fountainhall, Historical Observes of Memorable Occurents in Church and State (Edinburgh 1840), p. 717 Google Scholar.

⁸ Fr Richard Hay, quoted in Oswald Hunter-Blair OSB, ‘A Scotch Canon in France’ The Month (January 1890), pp. 74–6.

⁹ Dilworth, Mark, Roman Catholic Worship in Scotland, p. 141 Google Scholar. The Rituale contains all the services performed by a priest that are not in the Missal and Breviary and has also, for convenience, some that are in those books. Information from the Catholic Encyclopedia online http://www.newadvent.org/cathen/13088b.htm Accessed 13/05/2012

¹⁰ This remark was made by David Downie, an Edinburgh goldsmith, who was later transported to a penal colony in Australia for his part in planning an armed insurrection in Edinburgh in support of a republican movement called ‘Friends of the People.’ Information from Anson, Peter, Underground Catholicism in Scotland (Montrose 1973), p. 212 Google Scholar

¹¹ The oldest surviving post-Reformation chapel in Scotland, St Ninians, Tynet, was built in 1755 and originally designed to look like a farm building. Indeed, sheep were kept in it for the first year of its existence to allay suspicion.

¹² Rev James Stothert, ‘Memoir of Bishop George Hay’ in Gordon, J. F. S., The Catholic Church in Scotland (Edinburgh 1867), p. 23 Google Scholar The ‘humble Chapel’ to which he refers was St Ninian’s in the Enzie.

¹³ Quoted in Gordon, J. F. S., The Catholic Church in Scotland, p. 23 Google Scholar

¹⁴ He did, however, make a valuable contribution to Church ceremony. After losing a leg as the result of an accident he turned his attention to embroidering church vestments, an activity which he carried out with considerable skill.

¹⁵ Letter from John Geddes to John Thomson 5th July 1789 Blairs Letters, Scottish Catholic Archive. BL

¹⁶ Letter from John Geddes to Rev. George Mathison, 21st December 1778, BL

¹⁷ The library catalogue wrongly states that these are in bass clef.

¹⁸ It forms part of Rev. George Gordon’s compilation Sacred Music Calculated for Small Choirs (Edinburgh c1828) and also appears in a manuscript of c.1808 from Aquhorties College.

¹⁹ A demonstration of the power of this organ can be found at http://mypipeorganhobby.blogspot.com/2008/10/organ-cathedral-de-segovia-spain.html A second, identically cased, organ was added in 1772 on the Gospel side of the nave.

²⁰ Letter from John Gordon to Bishop Geddes, 17th May 1789, BL

²¹ Letter from George Mathison to Bishop Geddes, 18th July 1789, BL

²² Vesperale Novum, Scottish Catholic Archive LS/11/1. The Eastern District was one of three, Northern, Eastern and Western created in 1827 to replace the earlier Highland/Lowland division.

²³ Gordon, J. F. S., The Catholic Church in Scotland, p. 292 Google Scholar

²⁴ Letter from John Gordon to Bishop Geddes, 25th July 1789, BL

²⁵ Hamilton, Henry, ed. Selections from the Monymusk Papers 1744–1747 (Scottish History Society, Edinburgh 1945), p.171 Google Scholar

²⁶ Information taken from David Welch, ‘Church Music in N E Scotland in the 18th and 19th Centuries’, West Gallery Music Association website http://www.wgma.org.uk/Articles/NEScotland/article.htm accessed 25/05/2012

²⁷ Scholes, Percy A., The Oxford Companion to Music (London 1956), p. 638 Google Scholar

²⁸ Patrick, Millar, Four Centuries of Scottish Psalmody (Oxford 1949), p.152 Google Scholar

²⁹ Information taken from Welch, ‘Church Music in N E Scotland in the 18th and 19th Centuries’.

³⁰ Monson, Craig A., ‘The Council of Trent Revisited’ Journal of the American Musicological Society, Vol 55 (Spring 2002), p.19 CrossRefGoogle Scholar

³¹ Paul McPherson, Notes and Minutes for the Memoirs of the Mission, quoted in Leith, William Forbes, Memoirs of Scottish Catholics during the XVIIth and XVIIIth Centuries selected from hitherto inedited Mss. Vol 2 (London 1909), p. 376 Google Scholar

³² Letter from Bishop Hay to Bishop Geddes 27th August 1789, BL

³³ Letter from Bishop Hay to Bishop Geddes, 3rd January 1790, BL

³⁴ Letter from Lachlan MacIntosh to Bishop Hay 15th March 1791, BL

³⁵ Letter from Bishop Geddes to Bishop Hay, quoted in Gordon, J. F. S., The Catholic Church in Scotland, p. 299 Google Scholar

³⁶ Letter from Mr Smelt to Bishop Geddes, 15th June 1793, BL. Note that this letter supports the view that church music was not previously taught at foreign colleges other than Valladolid.

³⁷ Gordon, J. F. S., The Catholic Church in Scotland, pp. 53–54 Google Scholar

³⁸ Letter from Fr Gallus Robertson OSB to Bishop Hay, 1st January 1798, BL

³⁹ Gordon, J. F. S., The Catholic Church in Scotland, p. 405 Google Scholar

⁴⁰ Letter from Fr Gallus Robertson to Bishop Hay, 18th January 1798, BL

⁴¹ Letter from Rev Charles Gordon to Bishop Cameron 3rd August 1804, BL

⁴² There had been a sung Mass at Holyrood during the reign of James II and VII but this was not technically a High Mass owing to the absence of a deacon and subdeacon. It is also possible that Abbot Quintin Kennedy might have celebrated a High Mass with his monks at Crossaquel after 1560, but nothing of the sort is documented.

⁴³ Not to be confused with the Rev. John Gordon, vice-Rector of the Valladolid College owner of the music book mentioned above.

⁴⁴ Johnson, Christine, Developments in the Roman Catholic Church in Scotland, 1789–1829 (Edinburgh 1983), p.164 Google Scholar

⁴⁵ Letter from Andrew Scott to Bishop Cameron 5th April 1813 Scottish Catholic Archive, PL

⁴⁶ Johnson, Christine, Developments in the Roman Catholic Church in Scotland, 1789–1829, p. 212 Google Scholar

⁴⁷ Letter from Charles Gordon to James Kyle at Aquhorties 27th September 1807, PL

⁴⁸ Zon, Bennett, The English Plainchant Revival (Aldershot 1999), pp. 89–96 Google Scholar

⁴⁹ Shelfmarks: BCL.AA228 and BCL.D7668 Blairs College Library is now held at the National Library of Scotland, Edinburgh.

⁵⁰ Introduction to ECPC, p. 2

⁵¹ Zon, Bennett, The English Plainchant Revival, p. 92 Google Scholar. He states that the composed chants are ‘accompanied diatonically by an unfigured lower voice… and always conform to a metrical pattern.’

⁵² Cinq Messes en plein-chant musical. 1660. Later reprinted as Messes Royales en plain-chant. 1701

⁵³ Page numbers have been added in pencil by an unknown hand at a later date. They take no account of missing or blank pages.

⁵⁴ Karl-Werner Gumpel, ‘Cantus Eugenianus – Cantus Melodicus’. Report of the 12th Congress of the IMS, Berkeley 1977. Daniel Heartz and Bonnie Wade, ed (London 1981), pp. 407–13 A conversation with Dr John Purser at Musica Scotica Conference, Glasgow, April 28th 2012 established that the grace notes are not of the type associated with Scottish traditional music.

⁵⁵ Letter from Alexander Badenoch to Bishop Paterson, 22nd November 1820, BL

⁵⁶ Johnson, Christine, Developments in the Roman Catholic Church in Scotland, 1789–1829, p. 165 Google Scholar. The three chapels without lay choirs were Dumfries, Huntly and Perth. The Highland region, which was not so prosperous, took longer. By 1820 in that region there were choirs only at Braemar and Glengairn.

⁵⁷ Memoir of Charles Gordon, quoted in Constance Davidson, , Priest Gordon (Aberdeen n.d.), p. 51 Google Scholar

⁵⁸ George Mathison, undated letter to unnamed recipient, BL

⁵⁹ Anon, ‘Music in Scotland: A Brief Historical Survey. Musical Times, November 1901, p. 725

⁶⁰ Ibid.

⁶¹ Charles Gordon, quoted in Roberts, Alasdair, Aberdeen’s Hidden Gem: The History of St Peter’s Church (Aberdeen 2004), p. 17 Google Scholar The original handwritten memoir has been lost.

⁶² Charles Gordon, quoted in Canon Sandy McWilliam, St Peter’s Church, Aberdeen, 1804— 1979, Scalan News http://www.scalan.co.uk/StPeters.htmAccessed 10/03/2011

⁶³ Dawson, Aeneas McDonell, The Catholics of Scotland (Ontario and London 1890), Addenda p. 3 Google Scholar

⁶⁴ ‘… Marshall was not versed in the rules of harmony, and this part of the work was done for him by the priest at Dufftown, the Rev. George Gordon (1776–1856), a first rate musician who published “A Collection of Church Music” [sic] in two volumes.’ John Malcolm Bulloch, ‘William Marshall, The Scots Composer,’ Highland Handbooks, no. 7 (Inverness 1933)

⁶⁵ Information taken from George Gordon’s obituary, first printed in the Scottish Catholic Directory of 1857 and then included in Gordon, J. F. S. Rev., Catholic Church in Scotland, p. 555 Google Scholar

⁶⁶ Robert Home, 10 High Terrace, Edinburgh. Address from Humphries, Charles and Smith, William C., Music Publishing in the British Isles (Oxford 1970), p. 185 Google Scholar

⁶⁷ Address given in 1828 Edinburgh postal directory as Walker & Co, music publishers, 42 High St.

⁶⁸ There are in fact only nine Masses included in the two volumes.

⁶⁹ Happy Mary in volume II is derived from Richard Farrant’s Lord for thy tender mercy’s sake.

⁷⁰ Letter from George Gordon to John Forbes, 17th February 1821, BL

⁷¹ Letter from Alexander Badenoch to Bishop Paterson 22nd November 1820, BL

⁷² Letter from James Grant to Mrs Grant, 10th August 1812, PL