Published online by Cambridge University Press: 09 November 2011
This paper contains the first attempt to illustrate Montans decorated bowls unconfused with the products of other factories. The Rossignol manuscript reveals that many Montans moulds and bowls have degenerate styles which are similar to bowls found in second-century contexts in Britain. In conclusion, the Hofmann system for the identification of master stylists is recommended for the study of South Gaulish decorated bowls.
* The drawings are by Marion E. Cox, except for FIGS. 2, Nos. 8–9; 5, No. 19; 6, Nos. 22, 24, 26; 7, Nos. 28, 30–32; 10, No. 43, which are by George B. Rogers.
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7 D-L, Gallia iv, 182, No. 234 (11120) is a mould-fragment with an illegible cursive signature from ‘the Lartet Collection’. By the kindness of M. M. Labrousse, I examined most of the moulds in the Musée Saint-Raymond.Google Scholar
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11 My thanks are due to M. Ch. Gendron, Fontenay-le-Comte; M. L. Valensi, Bordeaux; M. P. Barousse, Montauban, for their kind help.
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23 Oswald, Index (1931), 227, repeated 411. He mistakenly stated that PARA/TVSF was in a circle.
24 Montans: Rossignol Collection, Musée Saint-Raymond (28.256, 27.0791). Information, and readings of the stamps kindly provided by Brenda Dickinson and Brian Hartley.
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