An age which applauds the specialist and the genius will not acknowledge the master. Applause, we might say, costs nothing whereas the master is there to enforce a responsibility. And if modern man pays with a handclap all the debt he acknowledges to genius, from the master he must submit to learn a truth.
Dr. Coomaraswamy is a master in the philosophy of art, as his great pupil, Eric Gill, was a master in stone carving and letter cutting. As a master he embodies in his work the whole positive weight of traditional truth, and in acknowledging him we affirm the spiritual foundations of our civilization.
If this were a tribute merely to the man, to the person, Ananda Coomaraswamy, it would be no more than flattery; but Dr. Coomaraswamy’s position is clearly indicated in an incisive answer to critics printed among the present collection of essays : ‘If I assert . . ., etc., ... I am not necessarily wrong merely because this position was “earlier” maintained by Plato and in the Bhagavad Gita . . . The sooner mv critics realise .... that I am not out to express any views, opinion or philosophy of my “ own,” the sooner will they find out what I am talking about.’ For if the principles he argues and explains are common to Europe and the East, to Aquinas and (implicitly) to all save the essentially commercial eras of human civilisation : to Maori portraiture and the Neolithic cave drawings no less than to Chartres : it is precisely because Dr. Coomaraswamy has not invented them. Neither is the basis of such agreement sought in any type of common-denominator doctrine, humanist or modernist.