Dr. Johnson, like other great men in whose lives the domesticities played but a small part, was after his peculiar fashion a squire of dames. He looked upon himself, he tells us, as “very polite,” and if his most studied elaboration of homage was reserved for an archbishop, he could be very courtier-like with the ladies, and was at times quite eager to show himself a man of gallantry.
His attitude towards the middle-aged, blue-stocking coterie was an attractive mixture of spiritual direction, intellectual coquetry, and tender friendship. But he most completely melted and softened when in the company of one or two younger ladies with claims to intellectual distinction who were admitted into his circle. Of these youthful favourites, not the least was Hannah More—when with her, the tiger in him was quite subdued, and he became positively kittenish.
Hannah More is hardly even a name to-day. We look vaguely at her prim, demure picture in the National Portrait Gallery, and we somehow connect her with the early pioneers of education, and with crude efforts in the field of philanthropy, and that is about all. “Her works are dust, and her words dim with unconquerable rust.” Yet there was a time when the book-shops were filled with battling crowds intent on procuring the four volumes of her memoirs. And but a few years before this, her shrewdly worded, sensible tracts on moral and religious subjects were circulating at the rate of a couple of million copies yearly ; while, earlier still, her tragedy of “Percy” was played by the immortal Garrick to overflowing houses, amid bursts of applause and general approbation and enthusiasm.