Fifty years ago the extraordinary J. K. Huysmans wrote his Crowds of Lourdes. Huysmans has been described as ‘un ecrivain precis, subtil, et tourmenté’ and certainly his study of Lourdes reveals these characteristics. Though one may disagree entirely, his devastating comments on religious art and architecture in this city of our Lady are refreshing and provocative. His observant eye misses nothing. The most critical visitor to Lourdes could not rival his invective about the commercial by-products of the shrine. And that, after all, is what the apologist for Lourdes has to face.
Huysmans’s book can be taken as a half-century mark in the history of the Lourdes shrine. He wrote it after he had become a militant convert to Catholicism. Surprisingly, though it is probably now neglected, the book is not out of date in essentials. Mrs Ruth Cranston’s The Mystery of Lourdes (Evans; 18s.) might well be taken to mark the approaching centenary of the apparitions, 1958. It eclipses the Huysmans book and, one might even venture to say, all the English books on Lourdes. It is a remarkable book to have come from the pen of a Protestant bishop’s daughter, herself a Protestant. Huysmans, after his conversion and quite against his own inclinations, came to Lourdes to investigate it for himself. A specialized interest in faith healing drew Mrs Cranston to the place where so many miracles of healing take place. ‘The three years since I began the study of this wonderful place, and its great cures of soul and body’, she writes, ‘have been among the richest of my life.’ Huysmans, who detested crowds, went to Lourdes reluctantly but he, too, like so many others, was captured by its spirit.
Huysmans describes the Lourdes of about 1900; Mrs Cranston describes the Lourdes of today. She has the advantage of superb photographs to supplement her descriptions; Huysmans has the advantage of that style ‘precis, subtil et tourment?’. He suffers aesthetic agonies because of, as it seems to him, hideous religious art. Mrs Cranston is untouched by this, as probably even the most sensitive pilgrim is, in face of the overwhelming faith and suffering nobly borne.