If it is true that we may be on the edge of a renaissance of heroic humanism, then it should also be the proper time to observe that, in a cultural sense, the word tradition has always carried within itself the weight of two inseparable meanings. The first has a bearing upon all that has been attempted in the unifying of mankind, the breaking down of barriers and the bridging of gulfs; it is international and universal in application; the second meaning relates to the regional and rural tradition which is the source of cultural variety. Culture, like society, is made up of many parts each contributing to the total effect, and Marx’s definition that history is nothing but the progressive transformation of human nature is a reminder of the fact that the transformation which is taking place now is away from all the limitations of nationality towards a world-view which recognises the need for co-operation and the fact of inter-dependence.

If only because of the social influences which bear upon creative artists at the present time, they stand in danger of being carried away on abstract themes which could lead them to forget the homely and common-place factors which shaped them as men. Certainly there are large numbers of writers who must see things whole and who will take little account of parts; yet the pattern of world-culture is made up of regional and national cultures and it is safe to say that the narrower meaning of tradition will retain its attraction for those who are by training and natural aptitude inclined towards it.