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Some Reflections on Gandhi

Published online by Cambridge University Press:  22 October 2024

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A difficulty constantly confronting the writer of obituary notices is the question of what mood and tense to employ, and it is a difficulty which comes very much to the fore with the death of a man like Mohandas Karamchand Gandhi. Somehow neither the subjunctive mood nor pluperfect tense comes readily to mind since the bereavement seems too personal and world-wide to allow of such historical impersonality; instead the loss is so great that it seems to call for something less final, less absolute. Better the present indicative, especially as there can be little doubt that his influence in India will grow rather than diminish with the years, and that the effect of such an influence on a country so vast will have repercussions which are not only global, but which internationally will be more or less immediate. Certainly the indecision as to which style to adopt in the tributes paid at his death, and the vacillating already apparent in the numerous leaders and notices over what mood and tense to choose, are proof enough of his importance, even if the true significance of that importance cannot be fully estimated until it is seen how many more similar violent deaths will flow out of that policy which he inaugurated. Upon such a determination must rest the final verdict of history. Yet, irrespective of the level of political home rule and contemporary affairs, there are other and deeper reasons for his prestige; reasons that to be genuinely understood call first for an evaluation of his philosophy since it was from that philosophy that his political actions sprang.

Type
Research Article
Copyright
Copyright © 1948 Provincial Council of the English Province of the Order of Preachers

References

1 Translated from the Gujurati by Mahadev Desai and published in India by Navajivan Kargalaya (Ahmedabad), the last edition of which appeared in 1945. An English edition by the Phoenix Press (London) is now in preparation.

2 See Autobiography. Jonathan Cape, 1940.