Paul Harris presents a new and very vivid approach to religious painting. He does not see the life of our Lord in the conventional way and his pictures are powerful in their originality. He has the gift of catching real light in paint and does not merely paint in lighter or darker shades. His style was greatly influenced by several years spent with the army in Iraq—many of his figures are brown ar.d move with Eastern grace.

In his picture entitled Adam and Eve there is no angel with a flaming sword : Adam and Eve are driving themselves out of the paradise which their false choice has destroyed. Helplessly they stumble out of their realm, but behind them in the landscape there is no vagueness. It is clear that chaos lias broken out. Xo longer is there an underhung principle of inviolable order, and the hills and trees are frightened. A horse rears and neighs in terror. Yet Adam and Eve still hope they are only dreaming.

The Holy Family is shown to us in a most delightful and unorthodox family group. Our Lady, wearing a brilliantly green frock, is hanging up washing in the garden. The child Jesus, playing at her feet, holds out a flower to her. Saint Joseph, in labourer’s clothes, just stands and watches, resting on a spade and looking very solid and protective