There have not been wanting signs in recent years that Latin American culture is passing through a crisis. In many countries cultural tendencies have changed or been intensified—the Fall of France was an acute shock to Argentina, North American influence gives rise to disquiet in some Colombians, there is an increase in English influence in Brazil. Some outside critics have asked what the Latin American contribution to world culture is, now or in the past, and it is a difficult question to answer, more for lack of a definition of terms than for lack of material to adduce (for at once many things come to mind: the relics of pre-Columbian civilisations, the lovely colonial art, some contribution to science in the eighteenth century and to medical art in our own times, contemporary peasant arts and the interesting developments in serious painting, a solid contribution to the law of nations and international relations, and above all the formation of a way of life and a tradition). So much depends on how far a contribution to world culture is made to coincide with what the world wishes to receive or with a preconceived view as to what it ought to wish to receive. An ingrained habit of self-criticism and depreciation makes individual Latin Americans question very seriously whether they have in fact a culture of their own, while governments have taken to stressing the national traditions of each individual country. Some analysis of the root conditions of Latin American culture may help to clarify its present crisis for us.