Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-05T06:38:38.740Z Has data issue: false hasContentIssue false
  • English
  • Français

Music and the brain: the neuroscience of music and musical appreciation

Published online by Cambridge University Press:  02 January 2018

Michael Trimble  and
Dale Hesdorffer
Michael Trimble
Affiliation:
Institute of Neurology, University College London, UK, email [email protected]
Dale Hesdorffer
Affiliation:
Gertrude H. Sergievsky Center and Department of Epidemilogy, Columbia University, New York City, USA
Rights & Permissions [Opens in a new window]

Abstract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

Through music we can learn much about our human origins and the human brain. Music is a potential method of therapy and a means of accessing and stimulating specific cerebral circuits. There is also an association between musical creativity and psychopathology. This paper provides a brief review.

Type
Thematic Paper
Information
BJPsych International , Volume 14 , Issue 2 , May 2017 , pp. 28 - 31
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits noncommercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © Royal College of Psychiatrists, 2017

References

Blood, A. J., Zatorre, R. J., Bermudez, P., et al (1999) Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions. Nature Neuroscience, 2, 382–387.CrossRefGoogle ScholarPubMed
Bodner, M., Turner, R. P., Schwacke, J., et al (2012) Reduction of seizure occurrence from exposures to auditory stimulation in individuals with neurological handicaps: a randomized controlled trial. PLoS One, 7, e45303.Google Scholar
Langer, S. K. (1951) Philosophy in a New Key. Harvard University Press.Google Scholar
Maratos, A. S., Gold, C., Wang, X., et al (2008) Music therapy for depression. Cochrane Database of Systematic Reviews, (1), CD004517.Google Scholar
Mithen, S. (2005) The Singing Neanderthals. Weidenfeld and Nicholson.Google Scholar
Mula, M. & Trimble, M. R. (2009) Music and madness: neuropsychiatric aspects of music. Clinical Medicine, 9, 83–86.Google Scholar
Pasternak, C. (2007) What Makes Us Human. One World.Google Scholar
Stewart, L., von Kriegstein, K. & Warren, J. D. (2006) Music and the brain: disorders of musical listening. Brain, 129, 2533–2553.Google Scholar
Thaut, M. H. (2005) The future of music in therapy and medicine. Annals of the New York Academy of Science, 1060, 303–308.Google Scholar
Trimble, M. R. (2007) The Soul in the Brain: The Cerebral Basis of Language , Art and Belief. Johns Hopkins University Press.Google Scholar
Trimble, M. R. (2012) Why Humans Like to Cry. Tragedy, Evolution and the Brain. Oxford University Press.Google Scholar
Submit a response

eLetters

No eLetters have been published for this article.