Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-28T19:42:04.029Z Has data issue: false hasContentIssue false

If it quacks like a duck: The by-product account of music still stands

Published online by Cambridge University Press:  30 September 2021

Debra Lieberman
Affiliation:
Department of Psychology, University of Miami, Coral Gables, FL33124-0751, [email protected]
Joseph Billingsley
Affiliation:
Department of Management, Innovation, and Entrepreneurship, Poole College of Management, North Carolina State University, Raleigh, NC27695, USA. [email protected]

Abstract

Discerning adaptations from by-products is a defining feature of evolutionary science. Mehr, Krasnow, Bryant, and Hagen posit that music is an adaptation that evolved to function as a credible signal. We counter this claim, as we are not convinced they have dispelled the possibility that music is an elaboration of extant features of language.

Type
Open Peer Commentary
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Fessler, D. M. T., & Holbrook, C. (2016). Synchronized behavior increases assessments of the formidability and cohesion of coalitions. Evolution and Human Behavior, 37(6), 502509.CrossRefGoogle Scholar
Norman-Haignere, S., Kanwisher, N. G., & McDermott, J. H. (2015). Distinct cortical pathways for music and speech revealed by hypothesis-free voxel decomposition. Neuron, 88(6), 12811296.CrossRefGoogle ScholarPubMed