Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-03T03:19:27.079Z Has data issue: false hasContentIssue false
  • English
  • Français

How music fills our emotions and helps us keep time

Published online by Cambridge University Press:  01 October 2008

Patricia V. Agostino ,
Guy Peryer  and
Warren H. Meck
Patricia V. Agostino
Affiliation:
Laboratory of Chronobiology, Department of Science and Technology, National University of Quilmes, Bernal B1876BXD, Buenos Aires, [email protected]://cronos.unq.edu.ar/
Guy Peryer
Affiliation:
Department of Psychology – Music, Mind and Brain Group, Goldsmiths College, University of London, London SE14 6NW, United [email protected]/music-mind-brain/
Warren H. Meck
Affiliation:
Department of Psychology and Neuroscience, Genome Sciences Research, Duke University, Durham, NC 27708. [email protected]://fds.duke.edu/db/aas/pn/faculty/meck
Get access Rights & Permissions [Opens in a new window]

Abstract

Whether and how music is involved in evoking emotions is a matter of considerable debate. In the target article, Juslin & Västfjäll (J&V) argue that music induces a wide range of both basic and complex emotions that are shared with other stimuli. If such a link exists, it would provide a common basis for considering the interactions among music, emotion, timing, and time perception.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 31 , Issue 5 , October 2008 , pp. 575 - 576
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baldick, C., ed. (1993) The Oxford Book of Gothic Tales. Oxford University Press.Google Scholar
Berens, M. S. & Pastore, R. E. (2005) Contextual relative temporal duration judgment: An investigation of sequence interruptions. Perception and Psychophysics 67:102–19.CrossRefGoogle ScholarPubMed
Blood, A. J. & Zatorre, R. J. (2001) Intensely pleasurable responses to music correlate with activity in brain regions implicated in reward and emotion. Proceedings of the National Academy of Sciences USA 98(20):11818–23.CrossRefGoogle ScholarPubMed
Buhusi, C. V. & Meck, W. H. (2005) What makes us tick? Functional and neural mechanisms of interval timing. Nature Reviews Neuroscience 6:755–65.CrossRefGoogle ScholarPubMed
Chen, J. L., Penhune, V. B. & Zatorre, R. J. (2008) Moving on time: Brain network for auditory-motor synchronization is modulated by rhythm complexity and musical training. Journal of Cognitive Neuroscience 20:226–39.CrossRefGoogle Scholar
Cordes, S., Williams, C. L. & Meck, W. H. (2007) Common representations of abstract quantities. Current Directions in Psychological Science 16:156–61.CrossRefGoogle Scholar
Droit-Volet, S. & Meck, W. H. (2007) How emotions colour our perception of time. Trends in Cognitive Sciences 11:504–13.CrossRefGoogle ScholarPubMed
Franssen, V., Vandierendonck, A. & Van Hiel, A. (2006) Duration estimation and the phonological loop: Articulatory suppression and irrelevant sounds. Psychological Research 70(4):304–16.CrossRefGoogle ScholarPubMed
Golombek, D. A. & Yannielli, P. C. (1996) Chronoliterature: Biological rhythms in Argentine fiction. Chronobiology International 13:487–88.CrossRefGoogle ScholarPubMed
Grahn, J. A. & Brett, M. (2007) Rhythm and beat perception in motor areas of the brain. Journal of Cognitive Neuroscience 19:893–906.CrossRefGoogle ScholarPubMed
Jones, M. R. (1981) Music as a stimulus for psychological motion: Part I. Some determinants of expectancies. Psychomusicology 1:34–51.CrossRefGoogle Scholar
Levitin, D. (2006) This is your brain on music: The science of a human obsession. Dutton/Penguin.Google Scholar
MacDonald, C. J. & Meck, W. H. (2004) Systems-level integration of interval timing and reaction time. Neuroscience and Biobehavioral Reviews 28:747–69.CrossRefGoogle ScholarPubMed
Meck, W. H. (2005) Neuropsychology of timing and time perception. Brain and Cognition 58:1–8.CrossRefGoogle ScholarPubMed
Molinari, M., Leggio, M. G., de Martin, M., Cerasa, A. & Thaut, M. (2003) Neurobiology of rhythmic motor entrainment. Annals of the New York Academy of Sciences 999:313–21.CrossRefGoogle ScholarPubMed
Noulhiane, M., Mella, N., Samson, S., Ragot, R. & Pouthas, V. (2007) How emotional auditory stimuli modulate time perception. Emotion 7:697–704.CrossRefGoogle ScholarPubMed
Pizarnik, A. (1971) La condesa sangrienta [The bloody countess]. López Crespo. English translation (1993) in: The Oxford Book of Gothic Tales, ed. Baldick, C., pp. 466–77. Oxford University Press.Google Scholar
Ross, D., Choi, J. & Purves, D. (2007) Musical intervals in speech. Proceedings of the National Academy of Sciences, USA 104:9852–57.CrossRefGoogle ScholarPubMed
Schirmer, A. (2004) Timing speech: A review of lesion and neuroimaging findings. Cognitive Brain Research 21:269–87.CrossRefGoogle ScholarPubMed
Schubotz, R. I., Friederici, A. D. & von Cramon, D.Y.. (2000) Time perception and motor timing: A common cortical and subcortical basis revealed by fMRI. NeuroImage 11:1–12.CrossRefGoogle ScholarPubMed