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Beyond Vienna 1900: Rethinking Culture in Central Europe

Published online by Cambridge University Press:  10 February 2009

Mary Gluck
Mary Gluck
Affiliation:
Associate Professor of History at Brown University, Providence, RI 02912
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Abstract

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Type
Forum: New Views of Fin-de-Siècle Vienna
Information
Austrian History Yearbook , Volume 28 , January 1997 , pp. 217 - 222
Copyright
Copyright © Center for Austrian Studies, University of Minnesota 1997

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References

1 Gay, Peter, Freud, Jews and Other Germans: Masters and Victims in Modernist Culture (New York, 1978), 30.Google Scholar

2 Roth, Michael S., “Performing History: Modernist Contextualism in Carl Schorske's Fin-de-Siècle Vienna,” American Historical Review 99 (06 1994): 735–36.CrossRefGoogle Scholar

3 Roth, Michael S., ed., Rediscovering History: Culture, Politics, and the Psyche (Stanford, Calif., 1994), 3.Google Scholar

4 See in this volume Burri, Michael, “Theodor Herzl and Richard von Schaukal: Self-Styled Nobility and the Sources of Bourgeois Belligerence in Prewar Vienna”Google Scholar; Jensen, Robert, “A Matter of Professionalism: Marketing Identity in Fin-de-Siècle Vienna”Google Scholar; and Johnson, Julie Marie, “From Brocades to Silks and Powders: Women's Art Exhibitions and the Formation of a Gendered Aesthetic in Fin-de-Siècle Vienna.”Google Scholar

5 For a discussion of this problem, see Inglis, Fred, Cultural Studies (Oxford, 1993).Google Scholar

6 Huyssen, Andreas, After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington, 1986).CrossRefGoogle Scholar

7 Chartier, Roger, “Intellectual History and the History of Mentalities: A Dual Re-evaluation,” in Cultural History: Between Practices and Representations, trans. Cochrane, Lydia G. (Ithaca, N.Y., 1988), 37.Google Scholar

8 Marcus, George E. and Meyers, Fred R., “The Traffic in Art and Culture: An Introduction,” in The Traffic in Culture: Refiguring Art and Anthropology (Berkeley, 1995), 6.Google Scholar