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War, Memory, the Artist and The Politics of Language

Published online by Cambridge University Press:  07 May 2025

Hong-An Truong  and
elin o'Hara slavick
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This conversation between two artists draws on, presents, and discusses visual representations including video, drawings and maps pertaining to the Nanjing Massacre and the US history of bombing. Discussion offers reflection on war, memory, history, biography, the relationship between language and visual representation, protest, the possibility of reconciliation, and the role of the artist in response to war.

Type
Research Article
Information
Asia-Pacific Journal , Volume 8 , Issue 31 , July 2010 , e2
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2010