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Reality through Fantasy: Miyazaki Hayao's “Anime” Films

Published online by Cambridge University Press:  14 March 2025

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Hayao Miyazaki, who in November, 2013 announced his decision to retire from active film-making, is a name well-known to serious film lovers all over the world. The Academy of Motion Picture Arts and Sciences in August, 2014 announced that he will be awarded an Honorary Oscar (Lifetime Achievement Award) at the Academy's 6th Annual Governors Awards on November 8, 2014. The only other Japanese director to have received this prestigious award was the legendary Akira Kurosawa (in 1990). He will now be in the same league of filmmakers that includes the likes of Jean-Luc Godard, Satyajit Ray and the world renowned animator Walt Disney. As a result of his untiring work, he had earlier received several prestigious awards. His Sen to Chihiro no kamikakushi (2001; Spirited Away) got the Golden Berlin Bear award at the 2002 Berlin International Film Festival, and claimed the Best Animated Feature category at the Oscars in 2003. It was the first ‘anime’ film, a distinct film genre of Japanese origin, to win an Academy Award. He created numerous films besides this one that deserve recognition and critical acclaim. They are not just simply films of aesthetic and generic (‘anime’) novelty; they contain the depth of creativity, philosophy and values relevant to modern times as well. It is because of this that we need to look back and consider his achievements in the context of the forthcoming honor to be given to him. This article will specifically try to understand why Miyazaki's films are not just a part of the ‘anime’ phenomenon but also are works of astounding creativity that carry deep social, environmental and aesthetic undercurrents.

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Research Article
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This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
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Copyright © The Authors 2014