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“Okinawa: The Afterburn”—Victor's Images, Words That Do Not Form Words

Published online by Cambridge University Press:  14 March 2025

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Abstract

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Director John Junkerman’s “0kinawa: The Afterburn” is an extremely rational documentary film. This is a virtue shared by the director’s “Power and Terror: Noam Chomsky in Our Times” (2002) and “Japan’s Peace Constitution” (2005), in which, via the maker’s level-headed processing, viewers are able to face many problems and encounter many clues they are given to think through on their own. At 148 minutes, this is a long film. But it is carefully arranged in four, roughly chronological parts—1) The Battle of Okinawa; 2) Occupation; 3) Violation; and 4) To the Future—that sustain interest and can be watched through without ever feeling long. I would like to explore those four parts with particular attention to aspects of the film that deliver a strong impact.

Type
Research Article
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2015

Footnotes

(Editor's note: The documentary “Okinawa: The Afterburn” [Okinawa Urizun no Ame] premiered at Iwanami Hall in Tokyo on June 20, 2015, and has since opened at theaters across Japan. There will be a special screening of the film with English narration and subtitles at Hibiya Convention Hall in Tokyo on October 6, 2015. Additional information is available here (http://tokyofilmgoer.com/2015/09/okinawa-the-afterburn/).)