Hostname: page-component-55f67697df-4ks9w Total loading time: 0 Render date: 2025-05-11T11:44:38.956Z Has data issue: false hasContentIssue false
  • English
  • Français

The New Korean Cinema, Kwangju and the Art of Political Violence

Published online by Cambridge University Press:  07 May 2025

Mark Morris
Rights & Permissions [Opens in a new window]

Extract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

This is part two of a supplement on South Korea's Kwangju Uprising: Fiction and Film. Part one is Ch'oe Yun and Mark Morris, South Korea's Kwangju Uprising: Fiction and Film.

Type
Research Article
Information
Asia-Pacific Journal , Volume 8 , Issue 5 , February 2010 , e5
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2010

References

Bloody Sunday, dir. Greenglass, Paul. Optimum Home Entertainment. 2008.Google Scholar
Hwary⊖han hyuga (May 18), dir. Chi-hun, Kim. Limited special edition. CJ Entertainmen. 2007.Google Scholar
Kkotnip (Petal), dir. S⊖n-u, Chang. Daewoo Corporation. 1996.Google Scholar
Morae Shigye (Sandglass), dir. Chong-hak, Kim. YA Entertainment. 1995.Google Scholar
Oraedoen ch⊖ngw⊖n (The Old Garden), dir. Sang-su, Im. Sidus CNI. 2007 (French version: Le Vieux jardin. Wild Side Video. 2008.).Google Scholar
Summer Palace, dir. Ye, Luo. Palm Pictures. 2006.Google Scholar
Baker, Don (2003), ‘Victims and Heroes: Competing Visions of May 18’, in: Shin, Giwook & Hwang, Kyung Moon 2003: 87–107.Google Scholar
Blaney, Aileen (2007)▯‘Remembering Historical Trauma in Paul Greengrass's Bloody Sunday’,▯ History & Memory (19: 2) Fall/Winter: 113–138.Google Scholar
Bordwell, David (2008), ‘The Art Cinema as a Mode of Film Practice’ [1979], in Poetics of Cinema, New York & London: Routledge: 151–69.Google Scholar
Yun, Ch'oe (1997/8), ‘There a Petal Silently Falls’, trans. Fulton, Bruce & Fulton, Ju-Chan, Korea Journal (Winter 1997): 221-38; (Spring 1998): 356–92. [First published in Munhak-kwa sahoe (Summer 1988).].Google Scholar
Yun, Ch'oe (2000), Là-bas sans bruit tombe un pétale, trans, Maurus, Patrick, Paris: Babel.Google Scholar
Cumings, Bruce (1997), Korea's Place in the Sun: A Modern History, New York & London: WW Norton & Co.Google Scholar
Sun-hee, Han (2007), ‘Size is the Problem’. Online: KFP 23 [pp. 10–11].Google Scholar
Hughes, Theodore (2007), ‘Korean Memories of the Vietnam and Korean Wars: A Counter-History’, in Japan Focus. (accessed May 2008).Google Scholar
Moonyung, Huh & Ji-youn, Jung (2008), IM Sang-soo, Korean Film Directors, Seoul: Korean Film Council.Google Scholar
S⊖g-y⊖ng, Hwang (2005), Le Vieux Jardin, trans. Eun-jin, Jeong et Batillot, Jacques, Paris: Zulma. [Oraedoen ch⊖ngw⊖n, Seoul: Ch'angbi Publishers, 2000.].Google Scholar
Hartzell, Adam (2007), Review of D-War. Link. (accessed April 2008).Google Scholar
Sang-su, Im (2005), ‘Im Sang-soo Talks (The Old Garden)’. (accessed May 2008).Google Scholar
Hyae-ri, Kim (2007), ‘y⊖nghwa, Kiok hajago malhan˘n Kwangju Hwary⊖han hyuga [A Kwangju film that says let us remember: An Elegant Vacation {May 18}], Cine 21 (July 25). Link. (accessed May 2008).Google Scholar
KC 2007: Korean Cinema 2007. Available from the Korean Film Council. Link. (accessed May 2007).Google Scholar
KFO 23: Korean Film Observatory No. 23. Available form the Korean Film Council. Link. (accessed May 2008).Google Scholar
Jae-hui, Lee (1999 [1985]), Kwangju Diary: Beyond Death, Beyond the Darkness of the Age, trans. Seol, Kap Su and Mamatas, , Los Angeles: University of California.Google Scholar
Lewis, Linda (2002), Laying Claim to the Memory of May: A Look Back at the 1980 Kwangju Uprising, Honolulu: University of Hawai'i Press.Google Scholar
Morris, Mark (2008), ‘Melodrama, Exorcism, Mimicry: Japan and the Colonial Past in the New Korean Cinema’, in: Aoki, D, Berry, C & Liscutin, N (eds.), Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes, Hong Kong: University of Hong Kong Press (in press).Google Scholar
Da-eun, Nam (2007), ‘The Imbalance between Art and Entertainment’. Online: KFO 23 [pp. 29–31].Google Scholar
Paquet, Darcy (2004), Review of Taegukgi. Link. (accessed April 2008).Google Scholar
Paquet, Darcy (2005), Review of King and the Clown. Link. (accessed May 2008).Google Scholar
Paquet, Darcy (2007), ‘2007’. Link. (accessed April 2008).Google Scholar
Shin, Gi-Wook & Hwang, Kyung Moon (2003), Contentious Kwangju: The May 18 Uprising in Korea's Past and Present, Oxford: Rowan & Littlefield.CrossRefGoogle Scholar
Kwang-su, Yi (2005 [1917]), Mujeong, trans. Lee, Ann Sung-Hi in Lee, Ann Sung-Hi, Yi Kwangsu and Modern Korean Literature: Mujeong, Ithaca, New York: Cornell University Press.Google Scholar
Y⊖ng-jin, Yi (2007), ‘S⊖j⊖nsiga pulkan˘nghan shidae-˘i y⊖nga Oraedoen ch⊖ngw⊖n' ['Love poem for an era forbidden lyricism: The Old Garden], Cine 21 (January 3). Link. (accessed May 2008).Google Scholar