On March 5, 2009, the first hearing in a civil suit against Chinese film director Li Ying was held in the Tokyo District Court. It was, ironically, twenty years to the day since Li first took up residence in Japan, and a year after his documentary, “Yasukuni,” became the center of a political maelstrom when all five theaters scheduled to premiere the film suddenly cancelled their screenings.

The cancellations were prompted by threats from right-wing nationalists to disrupt the screenings, coupled with harsh criticism of the political slant of the film by conservative members of the Japanese Diet (see David McNeill and John Junkerman, Freedom Next Time. Japanese Neonationalists Seek to Silence Yasukuni Film). Dozens of civil liberty and media organizations responded with statements condemning what was seen as political censorship, and theaters across the country stepped up with offers to screen the film.