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Cultural Flows Beneath Death Note: Catching the Wave of Popular Japanese Culture in China

Published online by Cambridge University Press:  07 May 2025

Peter Goderie  and
Brian Yecies
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Abstract

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To better understand the controversy surrounding Death Note in the Chinese context, this article explores the historical precursors to the Chinese Communist Party's ban on horror films, and examines the attitudes of Chinese students at an Australian university. The article also proposes a new viewpoint about how trade and popular presses in the West are attempting to understand China's changing role in the global cultural industries.

Keywords

China film policyDeath Note (2006)horror films in Chinaforeign exhibition in Chinafilm piracyinternet piracy
Type
Research Article
Information
Asia-Pacific Journal , Volume 8 , Issue 35 , August 2010 , e1
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NCCreative Common License - ND
This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
Copyright
Copyright © The Authors 2010

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