Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-28T19:29:16.044Z Has data issue: false hasContentIssue false
  • English
  • Français

Weaving a knowledge tapestry of traditional crafts for modern fashion designers: an Indian experience

Published online by Cambridge University Press:  06 June 2016

Sanjeev Kumar  and
Nandini Dutta
Sanjeev Kumar*
Affiliation:
National Institute of Fashion Technology, NIFT Campus, Hauz Khas, New Delhi 110016, India
Nandini Dutta*
Affiliation:
Resource Centre, National Institute of Fashion Technology, NIFT Campus, Hauz Khas, New Delhi 110016, India
*
Email: [email protected]
Email: [email protected]
Get access

Abstract

Design innovations in India’s fashion products result from a fusion of modern technologies and traditional craft skills. This paper highlights the role of the National Resource Centre and the network of resource centres of the National Institute of Fashion Technology in collecting and preserving heritage resources using computer technology. Plans for a National Design Repository and for Shilpakala Jnana Kosha, a digital repository for the tacit craft knowledge of artisans, share the objectives of preserving endangered traditional skills, supporting a process of revival and optimising the use of traditional crafts in contemporary fashion design.

Type
Research Article
Information
Art Libraries Journal , Volume 36 , Issue 2 , 2011 , pp. 17 - 24
Copyright
Copyright © The Art Libraries Society 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Balaram, S., Thinking design (Ahmedabad: National Institute of Design, 1998), 15.Google Scholar
2. Koshy, Darlie, Indian design edge: strategies for success in the creative economy (New Delhi: Roli Books, 2008), 35.Google Scholar
3. Chatterjee, Ashoke, ‘Design in India: the experience of transition’ in Highmore, Ben, ed., The design culture reader (London: Routledge, 2009), 287.Google Scholar
4. Aspelund, Karl, The design process (New York: Fairchild, 2006), 16.Google Scholar
5. Mete, Fatma, ‘The creative role of sources of inspiration in clothing design,’ in International journal of clothing science and technology 18, no.4 (2006): 278.Google Scholar
6. Ranjan, M.P., Craftsmanship in education: towards a creative India in the knowledge economy (Ahmedabad: National Institute of Design, 2005).Google Scholar
7. Koshy, Darlie, 2008,41.Google Scholar
8. Ranjan, M.P., 2005.Google Scholar
9. Vekatesan, Soumhya, Craft matters: artisans, development and the Indian nation (Hyderabad: Orient Blackswan, 2009), 32.Google Scholar
10. Dun & Bradstreet report: country study USA 2005, http://www.epch.com/Circulars/Projects/EPCH%20%20USA%20COUNTRY%20REPORT%20%20Revised%20-%20June%202006.pdf/.Google Scholar
11. Mete, Fatma, 2006.Google Scholar
12. Mete, Fatma, 2006, xiii;Google Scholar
Chattopadhyay, Kamaladevi, Handicrafts of India (New Delhi: ICCR, 1985), 2.Google Scholar
13. Chattopadhyay, Kamaladevi, Handicrafts of India (New Delhi: ICCR, 1985), 2.Google Scholar