Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-23T19:20:09.629Z Has data issue: false hasContentIssue false
  • English
  • Français

Off the wall: libraries in Northern Ireland and the visual documentation of politics

Published online by Cambridge University Press:  06 June 2016

Olivia Fitzpatrick
Olivia Fitzpatrick*
Affiliation:
University of Ulster at Belfast, York Street, Belfast BT15 1ED, UK
*
Email: [email protected]
Get access

Abstract

Librarians in Northern Ireland are very aware of the need to preserve the visual and written record of the recent troubles as they unfold. Much of this record is ephemeral and difficult to document and preserve. Librarians in Northern Ireland are working to ensure that the account of the visual arts in a time of political and social upheaval is available in the future to the community which created them and to researchers who wish to study them.

Type
Research Article
Information
Art Libraries Journal , Volume 25 , Issue 3 , 2000 , pp. 6 - 10
Copyright
Copyright © The Art Libraries Society 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

1. The troubles was the name used for the civil war which succeeded the Treaty in 1922 which created Northern Ireland. It has since been used for the political upheaval in Northern Ireland which began with the Civil Rights Movement in 1967.Google Scholar
2. There are four traditional provinces in Ireland which divide the country approximately into quarters. Ulster is the Northern province. There are 32 counties (administrative entities) on the island as a whole, nine of which are in Ulster. Six of those nine counties make up Northern Ireland, the remaining three are in the Republic.Google Scholar
3. Further education in Britain provides a wide range of academic and vocational courses for 16-18 year olds and for adults.Google Scholar
4. Since this was written devolved government has returned to Northern Ireland. For details of the current political situation see web site http://www.northernireland.gov.uk (Last consulted 22.5.2000)Google Scholar
5. Orange marches, their origins and significance are dealt with on the CAIN web site at: http://www.cain.ulst.ac.uk (Last consulted 7.4.2000)Google Scholar
6. Forward to Rolston, Politics and painting, p.9 (see bibliography).Google Scholar
7. JISC — the Joint Information Systems Committee of the UK. The website for JISC is http://www.jisc.ac.uk (Last consulted 10.4.2000)Google Scholar
8. Mlle Véronique Roess, UK Correspondent, Radio Suisse Romande, May 1998.Google Scholar

Bibliography

Fleming, G. Echoes. Exhibition catalogue. Maynooth: St Patrick’s College, 1995.Google Scholar
Fleming, G. Echoes. Exhibition catalogue. Belfast: Community Relations Council, [n.d.].Google Scholar
McWilliams, J. Colour on the march. Exhibition catalogue. Belfast: Cavehill Gallery, 1997.Google Scholar
Rolston, B. Politics and painting: murals and conflict in Northern Ireland. London: Associated University Presses, 1991.Google Scholar
Rolston, B. Drawing support: murals in the north of Ireland. Belfast: Beyond the Pale, 1992.Google Scholar
Rolston, B. Drawing support: murals of war and peace, Belfast: Beyond the Pale, 1998.Google Scholar
O’Neill, R. Ulster libraries, archives, museums and ancestral heritage centres. Belfast: Ulster Historical Foundation, 1997.Google Scholar