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Museum libraries and library history: joining the research conversation at the National Gallery

Published online by Cambridge University Press:  25 January 2019

Jonathan Franklin
Jonathan Franklin*
Affiliation:
Librarian, The National Gallery, Trafalgar Square, London WC2N 5DN, UK Email: [email protected]
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Abstract

Responding to widespread changes in the role of the museum library, the National Gallery Library is adapting to join the research conversations within the institution, as well as in the wider arenas of art history and library history. Using the historic Eastlake Library as a focus, the library has been embarking on projects on several fronts: cataloguing rare books online; selective digitisation; collaboration with the Digital Cicognara project; publishing our own research; and establishing an innovative Collaborative Doctoral Partnership as one way of creating research opportunities for others.

Type
Research Article
Information
Art Libraries Journal , Volume 44 , Issue 1 , January 2019 , pp. 19 - 22
Copyright
© ARLIS, 2019 

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Footnotes

This article is adapted from a paper delivered on Friday 27 July 2018 at the ARLIS/UK & Ireland Conference, at the Architectural Association, London.

References

1. “State of Art Museum Libraries 2016 White Paper”, accessed September 24, 2018, https://www.arlisna.org/publications/arlis-na-research-reports/1144-state-of-art-museum-libraries-2016-white-paper

2. Franklin, Jonathan, “Cataloguing the Library of Sir Charles Eastlake (1793–1865) at the Library of the National Gallery, London”, Art Libraries Journal 42, no. 4 (2017): 189–94CrossRefGoogle Scholar.

3. Biblioteca Cicognara (microform), (Urbana, Illinois: Leopoldo Cicognara Program, University of Illinois Library; Vatican City: Vatican Library, 1989).

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5. The Digital Cicognara Library: an open-access collection of the early literature of the arts, accessed September 24, 2018, https://cicognara.org/

6. Franklin, Jonathan, “The Eastlake Library and the sources for Materials for a History of Oil Painting, 1847”, National Gallery Technical Bulletin 38 (2017): 18–31Google Scholar.

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