Hostname: page-component-68945f75b7-55759 Total loading time: 0 Render date: 2024-09-04T08:47:31.537Z Has data issue: false hasContentIssue false

Les bibliotheques d’art en France et les nouvelles technologies de l’image

Published online by Cambridge University Press:  06 June 2016

Michel Melot*
Affiliation:
Bibliothèque Publique d’Information, Centre Georges Pompidou, Paris
Get access

Abstract

In an age in which so much information is communicated through images, libraries can no longer exclude the ‘new technology of the image’. It is essential for libraries to respond to the challenge of the media, and to recognise, for example, the importance of television, which has a very visible and vital presence in the Bibliothèque publique d’information at the Pompidou Centre in Paris. Ever since the invention of photography, France has been the home of a lively tradition of active, innovative interest in photography. This is reflected in the existence of the Centre national de la photographies and the Ecole nationale de la photographie, in collections and exhibitions of photographs, and recently in the use made of videodiscs, by both museums and libraries, as a means of storing images and making them accessible. Telecommunications offer the prospect of online access to a network linking image collections together as a single visual resource. The most serious obstacles to be overcome are neither technological nor financial: the legal question of copyright has to be addressed, while the muted interest of historians does not as yet represent an overwhelming demand for such a service, and much may depend on librarians to stimulate the enthusiasm of potential users.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. Paysage du videodisque banque d’images en France. Paris: La Documentation française, 1988 Google Scholar.

2. Sinno, Sandra et Degez-Vataire, Daniele, Les logiciels documentaires de pilotage de vidéodisques. Paris: Bibliothèque publique d’information, D.B.M.I.S.T. et La Documentation française, 1987 Google Scholar.

3. Voir la communication à ce même congrès de Luce-Marie Albigès, chef du service “iconographique” de la Bibliothèque publique d’information, Paris.

On consultera aussi les deux “Dossiers techniques” publiés spécialement à l’usage des bibliothèques par la Bibliothèque publique d’information:

No. 3: Le Traitement documentaire de l’image fixe.

No. 4: Le Vidéodisque, mémoire d’images.

On trouvera une bibliographie complète sur les problèmes du vidéodisque appliqué aux bibliothèque dans: Image et vidéodisque, sous la direction de Serge Cacaly Paris: La Documentation française, 1988.