Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-25T04:17:53.957Z Has data issue: false hasContentIssue false

Information services in the fields of art and architecture

Published online by Cambridge University Press:  06 June 2016

Ineke van Hamersveld*
Affiliation:
Library of the Boekmanstichting, Herengracht 415, Amsterdam
Get access

Abstract

In addition to Dutch academic and museum libraries, a number of art libraries and relevant document and information centres are attached to government and other institutions. These include the Netherlands Institute for Art History at The Hague (the parent institution of DIAL, an iconographical classification of Dutch art); the Stichting MARDOC at Rotterdam, which is evolving thesauri to facilitate automated access to museum collections; and the Netherlands Office for Fine Art, responsible for coordinating and promoting Dutch art collections. Other institutions are concerned with contemporary Dutch art, photography, architecture, the role of art in society, art education, and museology. Some of these, with some other institutions, are linked by the network Culturele Pool (CUPO) which coordinates and indexes current literature on the art in the broadest sense.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Wiesand, A.J. ed, Handbook of cultural affairs in Europe = Manuel Européen des affaires culturelles, Zentrum für Kulturforschung (Hrgs.). Prepared by the member institutions of a European network for cultural research and information (CIRCLE). Baden-Baden, 1985 p.359392 (‘The Netherlands’).Google Scholar
2. See Couprie, L.D.Iconclass: an iconographic classification system’, Art Libraries Journal v.8, no. 2 1983 p. 3249.Google Scholar
3. For the SBK see the article by Lucky Belder elsewhere in this issue.Google Scholar
4. The bodies in question were the Nederlandse Stichting Kunstzinnige Vorming, the Landelijke Stichting Beeldende Vorming, the Stichting Audiovisuele Vorming and the Katholieke en Christelijke Filmaktie.Google Scholar