No CrossRef data available.
Article contents
Independent art publishing in China
Published online by Cambridge University Press: 06 June 2016
Abstract
Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.
China’s publishing landscape today remains a harsh environment, dominated by the state industry and hostile to outside intruders. A few small independent art publishers, design studios and self-publishing artists have appeared in recent years in Beijing, Hong Kong, Shanghai, Guangzhou and other cities, a series of developments that signal new directions for the future of art publishing in this country.
- Type
- Research Article
- Information
- Art Libraries Journal , Volume 39 , Special Issue 2: Special Issue: Chinese Art Documentation in China, UK and USA , 2014 , pp. 14 - 19
- Copyright
- Copyright © The Art Libraries Society 2014
References
1.
Caochangdi PhotoSpring – Aries in Beijing (21 April – 31 May, 2012).Google Scholar
2. ‘China Digital Publishing Revenues Surge’, China Daily Online (10 July, 2013), http://www.chinadaily.com.en/business/2013-07/10/content_16755333.htm
Google Scholar
3.
Sebag-Montefiore, Clarissa, ‘Bookworms of China’, International Herald Tribune (4 September, 2012), http://latitude.blogs.nytimes.com/2012/09/04/me-promise-of-chinas-pubHshing-industry
Google Scholar
4.
Cornell, Christen, ‘Penguin China: interview with Jo Lusby’, Artspace China (25 November, 2011), http://blogs.usyd.edu.au/artspacechina/2010/11/penguin_china.html
Google Scholar
7.
Waite, Jason, ‘Research-based Practice and the Spirit of the Hutong’, Art Papers (September/October 2012), http://www.homeshop.org.cn/pdf/ARTPAPERS_Sept2012_p36-39.pdf
Google Scholar
You have
Access