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Cross-border copyright, complexity and collaboration: Approaching intellectual property across an international consortium of photo archives

Published online by Cambridge University Press:  19 January 2021

Melissa Gold Fournier
Melissa Gold Fournier*
Affiliation:
Head of Imaging and Intellectual Property, Yale Center for British Art, 1080 Chapel Street, New HavenCT06520, USA Email: [email protected]
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Abstract

What are the cross-border intellectual property and copyright issues faced by PHAROS, an international consortium of photo archives, in the creation of an open access research platform? How does the consortium define open access? Are approaches to copyright in reproductive media across the US, UK and EU compatible, and can 14 partners from six countries agree to assess and express rights in the same way? Developments in the field and the consortium's 2020 International Copyright Workshop project have helped PHAROS define and address these issues.

Type
Research Article
Information
Art Libraries Journal , Volume 46 , Issue 1 , January 2021 , pp. 3 - 6
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of ARLIS

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References

1. Unfortunately, due to travel bans implemented only two days before the workshop, most consortium members representing Italian institutions, as well as one of the legal experts, were unable to participate in person; arrangements were made so that they could attend remotely.

2. PHAROS Intellectual Property Working Group, “International Copyright Workshop: Providing Online Access to Art Historical Research Photography Collections,” Pharos: The International Consortium of Photo Archives, October 2020, http://pharosartresearch.org/news/report-ip-working-group-international-copyright

3. Rightsstatements.org provides 12 standardized rights statements for online cultural heritage. “rightsstatements.org,” Rightsstatements, accessed October 20, 2020, ttps://rightsstatements.org/