Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-25T04:15:12.427Z Has data issue: false hasContentIssue false
  • English
  • Français

Celebrating 25 years of service to the arts information community – an international perspective

Published online by Cambridge University Press:  06 June 2016

Philip Pacey
Get access

Abstract

Although art librarians began to join together in North America in the 1920s, they did so in two distinct strands — museum librarians and public librarians. Art librarians of all kinds, including, significantly, art librarians in higher education, formed national associations from the late 1960s, and almost immediately began to establish the international links which culminated in the coming into being of the IFLA Section of Art Libraries. International cooperation, including networking of resources, is helping art libraries to serve users worldwide. Art librarianship is now so well established as an international enterprise that it can afford to admit other arts information professionals; nonetheless it needs to continue to work towards becoming a genuinely multi-cultural professional community which does not privilege any country, region, language, culture, gender, or point of view.

Type
Research Article
Information
Art Libraries Journal , Volume 22 , Issue 3 , 1997 , pp. 4 - 6
Copyright
Copyright © The Art Libraries Society 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Wright, Jane. ‘Plea of the art librarian’. Public Libraries November 1908 p.348–349; reprinted in A Reader in art librarianship, ed. Pacey, Philip. Munich: K. G. Saur, 1985 p.3–5.Google Scholar
2. Gibson, Sarah Scott. ‘The Past as prologue: the evolution of art librarianship’. Drexel Library Quarterly vol. 19 no. 3 1983 p.3–17.Google Scholar
3. Phillpot, Clive. ‘The Social role of the art library’. A Reader in art librarianship, op. cit. (I believe that Clive’s text was also published in Art Documentation but I don’t have the reference to hand).Google Scholar
4. I first attempted to articulate this view in a paper presented to the IFLA Section of Art Libraries at Moscow in 1991: Pacey, Philip. ‘The indivisibility of art librarianship’. INSPEL vol. 26 no. 3 1992 p.205–211.Google Scholar
5. I hope it is absolutely clear that this is purely a reference to a point of principle. No comment on any individuals is intended or should be inferred.Google Scholar