Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-05T08:37:45.461Z Has data issue: false hasContentIssue false

Artists’ publications, artist-run centres and alternative distribution in Canada

Published online by Cambridge University Press:  06 June 2016

Felicity Tayler*
Affiliation:
Montreal, Quebec, Canada
Get access

Abstract

At the Tiré à part conference held in Quebec city in October 2003, speakers from artist-run centres from across Canada discussed 30 years of experience in publishing. Themes such as audience, production, funding, professionalisation and distribution encouraged the identification and exploration of current issues. These are put in context here by a general overview of the development of the genre as well as a short history of production by artist-run centres such as Art Metropole, Artspeak, Artexte and the Bookmobile project.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works cited

Alix, Sylvie. ‘Les collection de livres d’artistes et d’estampes à la Bibliothèque nationale du Québec’. Art libraries journal vol. 21 no. 3 1996, p.4854.Google Scholar
Alix, Sylvie. Répertoire des livres d’artistes au Québec, 1993-1997. Montreal: Bibliothèque nationale du Québec, 1999, p. 1524.Google Scholar
Blades, Joe. ‘Co-publishing: a collaborative approach’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Bookmobile. ‘Le projet MOBILIVRE - BOOKMOBILE project’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Brown, Lorna. ‘Directional language’ Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Busby, Cathy. ‘Invading the book’. Catalogue to the exhibition held 16th September-31st December 1998, Invading the book: recent acquisitions of artists’ books and multiples. Ottawa: National Gallery of Canada, 1998. (The paragraphs of the original unpaginated text have been numbered for easier access.)Google Scholar
Chappell, Duncan. ‘Typologising the artist’s book’. Art libraries journal vol. 28 no. 4 2003, p.1217.Google Scholar
Dion, François. ‘Vers d’autres modèles’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Dion, François. Letter to the author, 26th May, 2004.Google Scholar
Forster, Andrew. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Gale, Peggy. ‘What about the early days?’ Catalogue to exhibition held 17th November-8th December 1984, Evidence of the avantgarde since 1957: selected works from the collection of Art Metropole including audio tapes, records, videotapes, film, multiples, kitsch, manuscripts, stamps, buttons, flyers, posters, correspondance, catalogues, porn, T-shirts, postcards, drawings, poems, mailers, books, photographs and ephemera. Toronto: Art Metropole, 1984. (The paragraphs of the original unpaginated text have been numbered for easier access.)Google Scholar
Gilbert, André. ‘Le financement de l’édition dans les centres d’artistes’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Guest, Tim. ‘Artists’ books: ‘pictures and illustrators’.’ Originally published in a catalogue to the exhibition Artists’ books, held 23rd-28thMay 1983. Tokyo: Gallery Lunani, organized in association with Art Metropole, 1983. Reprinted in 10-5155-20 Art contemporain no. 4 été 1983, p. 1315.Google Scholar
Klima, Stephan. Artists books: a critical survey of the literature. New York: Granary Books, 1998.Google Scholar
Léger, Danielle. ‘Le centre d’information Artexte: médi(t)ations autour du catalogue d’exposition et de la francophonie’. Art libraries journal vol. 21 no. 3 1996, p.3439.CrossRefGoogle Scholar
Murchie, John, ‘somewhere, not here but there, elsewhere’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Nadeau, Lisanne. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Paradis, Vivianne. ‘Conférence sur l’étude sur les publications dans les centres d’artistes du Québec’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Parent, Nathalie. ‘L’édition en centre d’artiste: un modèle à inventer’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Phillpot, Clive. ‘Twentysix gasoline stations that shook the world: the rise and fall of cheap booklets as art’. Art libraries journal vol. 18 no. 1 1993, p.412.Google Scholar
Platzker, David. ‘Untitled: on artists’ books’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Rey, Dominique. ‘Reaching out - publications in artist-run centres’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Tousley, Nancy. ‘Artists’ books’ in catalogue to exhibition held 15 th November 1990-6th January 1991, Learn to read art: artists’ books. Hamilton, Ontario: Art Gallery of Hamilton, 1990, p.417.Google Scholar
Trepanier, Peter. Catalogue to exhibition held 6th September-29th December, 2000, Proposals from Halifax: an exhibition of selected typescripts, flyers, posters, catalogues, books, mailers, and postcards of a conceptual nature produced from 1969 to 1999 by affiliates of the Nova Scotia College of Art and Design (NSCAD). (The paragraphs of the original unpaginated text have been numbered for easier access.)Google Scholar
Van der Bellen, Liana. ‘Sources for the study of the book arts at the National Library of Canada’. Special collections vol. 4 no. 1 1990, p.l134.Google Scholar
Vincent, Esther. ‘Networking and distribution: it doesn’t happen by itself’. Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16t-17th October 2003.Google Scholar
Wallace, Keith. ‘Publications for whom?’ Paper given at Tiré à part, a conference held by the Régroupement des centres d’artistes autogérés du Québec, at Méduse, Québec, 16th-17th October 2003.Google Scholar
Woon, Wendy. Introduction. Catalogue to exhibition held 15 th November 1990-6th January 1991, Learn to read art: artists’ books. Hamilton, Ontario: Art Gallery of Hamilton, 1990, p. 12.Google Scholar