Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-23T08:35:48.441Z Has data issue: false hasContentIssue false
  • English
  • Français

The museum art library as a bridge between the artist and society, with special reference to the South African National Gallery

Published online by Cambridge University Press:  06 June 2016

Josephine Andersen
Josephine Andersen*
Affiliation:
South Africa National Gallery, Cape Town, South Africa
Get access

Abstract

Art museums can help to promote art in society, but not all artists have their work selected for permanent collections or temporary exhibitions, and museums may be isolated from society. In Europe and North America, the primary function of museum libraries is to serve the parent institution, thereby serving the wider community only indirectly. In South Africa, where there are comparatively fewer museums, libraries, and publications concerned with the visual arts, and where there are so many disadvantaged people, it is vital that special collections such as the South Africa National Gallery (SANG) Library collection are made accessible in the widest possible sense and that museum library information programmes should be directed externally, as well as internally to the museum staff.

Type
Research Article
Information
Art Libraries Journal , Volume 20 , Issue 2 , 1995 , pp. 4 - 12
Copyright
Copyright © The Art Libraries Society 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Silly, Alain. ‘Frankly speaking: to the muses’. Museum vol. xliv no. 2, 1992, p.112.Google Scholar
2. Karp, Ivan, Kreamer, Christine Mullen and Lavine, Steven D. Museums and communities: the politics of public culture. Washington: Smithsonian Institution, 1992, p.106.Google Scholar
3. Karp, , op. cit., p. 107.Google Scholar
4. Wollheim, Richard. ‘Painting, drawing and sculpture in the Reagan years’. Modern Painters vol. 5 no. 3 1992, p.49.Google Scholar
5. Garfield, Donald. ‘Making the museum mine: an interview with Fred Wilson’. Museum News vol. 72 no. 3 May/June, 1993, p. 47.Google Scholar
6. Hammond-Tooke, D. and Nettleton, A. eds. Catalogue: ten years of collecting (1979-1989). Johannesburg: University of the Witwatersrand Art Galleries, 1989, p.84.Google Scholar
7. Bedford, E. ed. Ezakwantu: beadwork from the Eastern Cape. Cape Town: South African National Gallery, 1993, p.85.Google Scholar
8. Schmahmann, Brenda. ‘The Dictionary of South African painters and sculptors’. South African Journal of Cultural and Art History vol. 3 no. 3 1989 p.291.Google Scholar
9. Cannon-Brookes, P. and Cannon-Brookes, C. A. ‘Museums, Theme Parks and Heritage Experiences’. Museum Management and Curatorship vol. 10 no. 4 1991, p.351.Google Scholar
10. Lee, Shemman E. ed. On understanding art museums. Englewood Cliffs, N. J.: Prentice-Hall, Inc. 1975, p.170.Google Scholar
11. Eisner, Elliot W. and Dobbs, Stephen M. The Uncertain profession: observations on the state of museum education in twenty American art museums. Los Angeles: The Getty Centre for Education in the Arts, 1986, p.20.Google Scholar
12. Root, N.J. Role of the museum library. The role of the library in a museum. Washington: Smithsonian Institution, 1980, p.5.Google Scholar
13. Bierbaum, E. G. Letter to the author. University of Iowa, 28th February 1994.Google Scholar
14. Elgaard, B. ‘Museum librarian: everyone’s partner’. Museum International vol. 180 no. 4 1993, p.48.Google Scholar
15. Wasman, W. ‘Ask Dr dino, or, My life as an electronic reptile’. American Libraries vol. 24 no. 2 Feb. 1993, p. 122–123 Google Scholar
16. Cammack, N. ‘Rex’s Lending Center is a roaring success’. American Libraries vol. 24 no. 5 May 1993, p.428–431.Google Scholar
17. Anderson, David. ‘Cinderella gets to the ball’. Museums Journal vol. 93 no. 5 May 1993, p.33.Google Scholar
18. Able, Edward H. jr. ‘Museums in the life of a city’. Museum News vol. 72 no. 3 May/June 1993, p.96.Google Scholar
19. Phillpot, Clive. ‘The Social Role of the Art Library’ in Pacey, Philip ed. A Reader in art librarianship. Munich : G. Saur, 1985, p. 112.Google Scholar
20. Pacey, Philip, ed. Art library manual: a guide to resources and practice. London: Bowker, 1977, p.14.Google Scholar
21. Wright, Jane. ‘Plea of the Art Librarian’. Public Libraries November 1908 p.348–349; reprinted in Pacey, Philip ed. A Reader in art librarianship. Munich: K. G. Saur, 1985, p.3.Google Scholar
22. Cruise, W. ‘Made in Wood: work from the Western Cape’. De Arte no. 47 April 1993, p.39.Google Scholar
23. Lee, op. cit., p. 173–174 Google Scholar
24. Rotberg, Robert I. and Rabb, Theodore K. Art and History: images and their meaning. Cambridge: Cambridge University Press, 1988, p.1.Google Scholar
25. Lee, , op. cit., p.173.Google Scholar
26. McCann, G. L. ‘The Art museum library serves the curator’. Special Libraries May 1933, p.86; reprinted in Pacey, Philip ed. A Reader in art librarianship. Munich: K. G. Saur, 1985, p.48–50.Google Scholar
27. Egaard, B. op. cit.Google Scholar
28. Coolidge, John. ‘American art museum libraries: past, problems and potentials’. Special Libraries March 1959, p. 120.Google Scholar
29. Van der Wateren, J. ‘The National Art Library into the 1990s’. Art Libraries Journal vol. 15 no. 4 1990, p.12.Google Scholar
30. Pitman, D., Wooldridge, J. and Hensley, J. Book collections in Southern African museums. Port Elizabeth: Port Elizabeth Museum, 1992.Google Scholar
31. Pacey, Philip. ‘Art library power’ in Pacey, Philip ed. A Reader in art librarianship. Munich: K. G. Saur, 1985, p.14.Google Scholar
32. South Africa (Republic). Cape Education Department. Art HG and SG. History of Art Component Standard 10: suggestions to teachers, 1993.Google Scholar
33. Art Institute South Africa. South African Art Sales Index, 1975/1976.Google Scholar
34. Cowles, Thomas. ‘Leisure and the museum library’. Special Libraries May 1993, p.89.Google Scholar
35. Coolidge, , op. cit., p.120 Google Scholar
35. Smith, Gaye and Jackson, Lotta. ARLIS/UK and Eire National Collecting Network for Art Exhibition Catalogues: a feasibility study. (British Library research paper, 87). London: British Library Research and Development Department, 1990, p.5.Google Scholar
37. Cole, Bruce. ‘Catalogues of Abuse’. Museum News, vol. 72 no. 4 July/Aug. 1993, p.48.Google Scholar
38. Cruise, , op. cit., p.43.Google Scholar
39. Ozynski, Joyce. ‘The Neglected Tradition’. South African Journal of Cultural and Art History vol. 3 no. 3 July 1989, p.279.Google Scholar
40. Basson, E. ‘Images of Wood: aspects of the history of sculpture in 20th century South Africa’. De Arte no. 42 Sept. 1990, p.69.Google Scholar
41. Andersen, J. ‘Survey on automation in South African museums’. South African Journal of Library and Information Science, vol. 60 no. 3 1992, p. 161–166.Google Scholar
42. Basson op. cit., p.68.Google Scholar
43. Sack, Steven. ‘The Meeting of Southern African and Western art traditions’. Lantern vol. 38 no. 3 Aug. 1989, p.43.Google Scholar
44. Berman, Esme. Art and artists of South Africa. Cape Town: Balkema, 1983.Google Scholar
45. Ogilvie, Grania. The Dictionary of South African painters and sculptors including Namibia. Johannesburg: Everard Read, 1988.Google Scholar
46. ‘Savremena Grafika Umetnika Izjuzne Afrike’. Jugoslavia, 1960.Google Scholar
47. South African Institute of Race Relations. ‘Art South Africa Today’. Durban: Durban Art Gallery, 1963.Google Scholar
48. ‘South African Art = Suid-Afrikaanse Kuns 1861-1971’. East London: Ann Bryant Art Gallery, 1971.Google Scholar
49. Powell, Ivor. ‘A Retrospective of Colonial Illusions’. Weekly Mail and Guardian. 5th Nov. 1993, p. 44.Google Scholar
50. Thompson, Raymond, H. ‘Dealing with the past and looking to the future’. Museum News vol. 70 no. 1 Jan/Feb. 1991, p.36–40.Google Scholar
51. Agyeman, Julian. ‘Alien Species’. Museums Journal vol. 93 no. 12 Dec. 1993, p.22–23.Google Scholar