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Published online by Cambridge University Press: 16 February 2022
My artistic practice has always drawn heavily from archival research and has used strategies of reproduction to underscore the archive as a living object. By disrupting the perceived fixity of the archive and recovering its heterogeneity my work reveals hierarchies of power that play out across class, gender, sexuality, caste, race, and geography.
1. Jacir, Emily, Memorial to 418 Palestinian villages destroyed, depopulated and occupied by Israel in 1948, sculpture, 2001Google Scholar, in the National Museum of Contemporary Art Athens.
2. Spivak, Gayatri Chakravorty, “The Rani of Sirmur: An Essay in Reading the Archives,” History and Theory, 24 (3) Oct.,1985, 247–272CrossRefGoogle Scholar.
3. Southall Black Sisters Database, compiled by the author.
4. Hall, Stuart, Familiar Stranger: A Life Between Two Islands (Durham, NC: Duke University Press, 2017) 144Google Scholar.
5. Satinder Chohan, Green Revolution Archive, collection of the author.
6. South Asian American Digital Archive (SAADA), accessed November 16, 2021, https://www.saada.org/.
7. Davy Collection, South Asian Archive, Centre for South Asian Studies, Cambridge University, Cambridge, UK.
8. Chadha, Gurinder and Mellor, Eliza, I'm British but— (New York: Third World Newsreel, 1989)Google Scholar. DVD video.