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The growth of a slide library: The Courtauld Institute of Art

Published online by Cambridge University Press:  06 June 2016

Lesley Trenner
Lesley Trenner*
Affiliation:
Courtauld Institute of Art
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Abstract

The Courtauld Institute of Art, London, has a slide collection dating back to 1932. Begun with lantern slides, it converted to 35mm. format in the 1950s and became an independent department in 1964. This article traces its history and growth, covering aspects such as acquisition, indexing, accommodation, staffing and use.

Type
Research Article
Information
Art Libraries Journal , Volume 8 , Issue 4 , Winter 1983 , pp. 23 - 28
Copyright
Copyright © The Art Libraries Society 1983

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References

References

(1) Delaurier, N. Slide collections outside North America – Survey on major features of 36 collections. International Bulletin for Photographic Documentation of the Visual Arts, vol. 9, no. 2, Supplement.Google Scholar
(2) Roskill, M. What is Art History? London: Thames & Hudson, 1976.Google Scholar
(3) Irvine, B. Slide libraries, a guide for academic institutions, museums and special collections. 2nd ed. Littleton, Colorado: Libraries Unlimited, 1979.Google Scholar
(4) Ibid.Google Scholar
(5) Harrison, H.P. Picture librarianship. London: Library Association, 1981.Google Scholar
(6) Ibid.Google Scholar
(7) University Grants Committee. Report of the Working Party on Capital Provision for University Libraries. London: HMSO, 1976.Google Scholar

Additional Material

Courtauld Institute of Art. annual reports 1952-1983. (Internal publication).Google Scholar
Matthews, J. The slide library of the Faculty of Art and Design at Bristol Polytechnic. Art Libraries Journal, vol. 1, no. 4, Winter 1976, pp. 20–25.CrossRefGoogle Scholar
Maxwell, B. The National Art Slide Library at the Victoria and Albert Museum. Art Libraries Journal, vol. 2, no. 4, Winter 1977, pp. 31–6.Google Scholar
Von Rebhan, A. National Gallery of Art, Washington D.C. The Slide Library, Education Division. International Bulletin for Photographic Documentation of the Visual Arts, vol. 9, no. 2.Google Scholar