No CrossRef data available.
Published online by Cambridge University Press: 06 June 2016
Should a collection of prints and graphic materials include only items of undoubted artistic worth, or can it also include items which are valued primarily as historical evidence and because they vividly illustrate the past? This question is raised by the variety of materials accumulated in the graphic collections of the Biblioteka Jagiellonska in Cracow, ranging as they do from artists’ prints to photographs and postcards, and including a unique collection of material arising from the political struggle in Poland during the 1980s. Typically, graphic collections accumulate by gift and chance, without any intention that they should serve only a single aim; since visual images of all kinds lend themselves to being looked at and used in different ways, a visual collection, especially in a public library, should serve many purposes and a wide range of users. (A full English version follows the original text in French).
1. Evans, Hilary. Picture libarianship, London, 1980 Google Scholar.
2. Sotriffer, K. Die Druckgraphik. Wien, 1966 p.135 Google Scholar.
3. Je n’entre pas dans le sujet qui mériterait une discussion plus détaillée. Cf. Koschatzky, W. Die Kunst der Graphik p.29 Google Scholar et suiv.
4. Porebski, M. IKonosfera. Warsaw, 1975 p.193 Google Scholar.
5. Porebski, M. ‘Era grafiki’, dans Grafika dawniej i dziś. Warsaw, 1974 Google Scholar.
6. PN-73/N-01152 Opis bibliograficzny. Warsaw, 1974.
7. Anglo-American Cataloguing Rules. London, 1967.
8. Quelques unes sont citées par: Cornish, Graham. Archival collections of non-book material. (British Library Information Guide 3). London, 1986.
9. Griffiths, A., Williams, R. Prints and drawings in the British Museum. User’s Guide. London, 1987 Google Scholar.
10. Evans, , op. cit., p. 88 Google Scholar.