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Arty choke: a response

Alice Harvey, in conversation with Kerry Watson

Published online by Cambridge University Press:  05 April 2016

Alice Harvey
Alice Harvey*
Affiliation:
Sunday Librarian, Central Saint Martins, University of the Arts London, Granary building, 1 Granary Square, London, N1C 4AA Email: [email protected]
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Abstract

Definitions, uses and management of ephemera are explored in this article, a response to the pioneering ‘Arty choke: acquisition and ephemera’ by Nik Pollard, published in the 1977 winter issue of Art Libraries Journal. The author, in conversation with the Librarian of the Scottish National Gallery of Modern Art, discusses key ideas put forward in the original text and assess their relevance in relation to current art ephemera collections in UK libraries.

Type
Research Article
Information
Art Libraries Journal , Volume 41 , Issue 2: Art Ephemera , April 2016 , pp. 78 - 87
Copyright
Copyright © ARLIS/UK&Ireland 2016 

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References

1. Rickards cited in Foges, C., “Far from Ephemera,” Print 53, no. 2 (1999): 165Google Scholar.

2. Wilson, T. L., and Dowell, E., “Today’s Ephemera, Tomorrow’s Historical Documentation: Access Options for Artists Files,” Journal of Library Administration 39, nos. 2–3 (2003): 44CrossRefGoogle Scholar.

3. Houghton, B., “RSVP… the Strange Life and Afterlife of the Private View Card,” Art Libraries Journal 31, no. 4 (2006): 31CrossRefGoogle Scholar.

4. Lawes, L., and Webb, V., “Ephemera: An Undervalued Resource in the Art Library,” Art Libraries Journal 31, no. 4 (2006): 3CrossRefGoogle Scholar.

5. Pollard, N., “Arty Choke; Acquisitions and Ephemera,” Art Libraries Journal 2, no. 4 (Winter 1977): 4–15CrossRefGoogle Scholar.

6. S. Ford, “Artists’ Books in UK & Eire Libraries” (Unpublished MA Information and Library Management thesis, University of Northumbria at Newcastle, 1992), 17.