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The ‘architecture of colour-form’: Adrian Stokes and Venice
Published online by Cambridge University Press: 26 July 2005
Extract
Adrian Stokes (1902–72) — aesthete, critic, painter and poet — is linked to John Ruskin and Walter Pater as one of the greatest aesthetic thinkers in this English empirical tradition. This paper explores his insights on the reciprocity of colour and form in relation to architecture.
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- © 2004 Cambridge University Press