An unorthodox and influential critique of the modern city was published in 1908 by August Endell, an autodidact in the field of architecture. Influenced by empathy theory, Impressionist ideas, contemporary sociology, and the literary and artistic circles of the time, Endell's small book Die Schönheit der Großen Stadt (The Beauty of the Metropolis) read the metropolis through a new way of ‘seeing’ [1,2]. What he saw was surprising for most readers: the city's centre was discovered in marginal sites, and its lasting identity was grasped in its fleeting moments. Although Endell never drew up encompassing schemes for the city, did not participate in the first city-building competitions of the time, and focused primarily on individual building projects, one of his major publications was entirely devoted to the city. The Beauty of the Metropolis takes the reader on a journey through a city that slowly reveals itself as Berlin. Throughout the book, Endell describes urban scenes such as streets, plazas, stations, and the margins of urbanity, such as the city's blank walls and outskirts.