Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-25T09:03:14.319Z Has data issue: false hasContentIssue false
  • English
  • Français

Tradition and innovation: timber as rainscreen cladding

Published online by Cambridge University Press:  19 August 2008

Wayne Forster
Wayne Forster
Affiliation:
Welsh School of ArchitectureThe Bute BuildingCathays ParkCardiff CF1 3APUnited Kingdom
Get access Rights & Permissions [Opens in a new window]

Abstract

This paper describes the use of timber as a rainscreen cladding on David Chipperfield's River and Rowing Museum at Henley. The extensive use of green oak in this way is the key to a precise and beautifully crafted building and was the result of collaboration between the architects and the Timber Research and Development Association. This use of timber represents a major shift in the work of David Chipperfield from concrete toward a wider palette of materials. Henley is also an important example of a recent trend in the development of timber as an external cladding material. Timber cladding as a rainscreen will be discussed in the context of the Henley project in terms of its performance factors and the design and construction process, and analysed with a view to drawing some conclusions for its future use.

Type
Construction
Information
arq: Architectural Research Quarterly , Volume 2 , Issue 4 , Summer 1997 , pp. 54 - 63
Copyright
Copyright © Cambridge University Press 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Architecture Today (1994). ‘Natural Selection’, no. 49, June, pp. 24–29.Google Scholar
Architecture Today (1997). No. 79 June, p.38.Google Scholar
British Standards Institution (1996). BS EN 942:1996. Timber in Joinery – general classification of timber quality.Google Scholar
Chipperfield, D, (1994). Theoretical Practice, London, Artemis.Google Scholar
Chipperfield, D, (1997). ‘Tectonic Form/Making Space’ in Obra reciente Nexus 2G N.1 1997.Google Scholar
CIRIA (1992). Special Publication 87, Wall Technology Volume F: Glazing, Curtain Walls and OvercladdingGoogle Scholar
Detail (1995). 06/07 pp.440–444.Google Scholar
Frampton, K, (1995). Studies in Tectonic Culture – The Poetics of Construction in Nineteenth and Twentieth Century Architecture, Cambridge, MIT.Google Scholar
Knevitt, C. (1997). ‘Henry Venables’ in AJ Focus, 17 04.Google Scholar
Richards, I. (1997). ‘Pulling Together’ in The Architectural Review, 01 1997, pp.31–35.Google Scholar
Rykwert, J, (1994). In Introduction to Chipperfeld, D., Theoretical Practice, London, Artemis.Google Scholar
The Architects' Journal (1994a). ‘Castell Henllys Education Centre, Dyfed’, 6 07, pp. 29–39.Google Scholar
The Architects' Journal (1994b). ‘Welsh Wildlife Centre, Cardigan’, 17 11, pp. 33–42.Google Scholar
The Architects' Journal (1996). ‘Theatre in the Frame’, 15 02, pp. 35–44.Google Scholar
The Architectural Review (1994). ‘Heart of Oak’, 10, pp. 50–53.Google Scholar