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Bloody fingerprints: Tschumi and the avant-garde
Published online by Cambridge University Press: 14 March 2014
Abstract
This paper investigates the radical approach to architectural representation of Bernard Tschumi in the late 1970s and its relationship to the literary and visual practices of Dada and Surrealism. Focussing on Tschumi's Advertisements for Architecture and Manhattan Transcripts, the paper demonstrates how the critique of avant-garde tactics in Peter Bürger and Walter Benjamin applies to a broader understanding of politics in architecture and its efficacy.
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- Copyright © Cambridge University Press 2013