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Edwin Lutyens in Spain: the Palace of El Guadalperal

Published online by Cambridge University Press:  17 November 2017

Abstract

Although the work of Edwin Lutyens has received careful scholarly study since the 1980s, his projects in Spain remain very little known. Unfortunately, Lutyens was unable to complete his Spanish commissions, mostly because of the deterioration of country's economy and social order in the 1930s, and this has played a major role in keeping these projects in the dark. Furthermore the devastation caused by the Civil War obliterated most of the evidence once held in Spanish archives.

This paper focuses on Lutyens's main commission in Spain, the palace of El Guadalperal, designed for the eighteenth Duke of Peñaranda as a country house on his estate in south west Spain. This decades-long commission, lasting from 1915 to 1934, represents a very significant and original work in Lutyens's output. The first version for the palace shows his capacity to adapt his architecture to the local climate and architectural traditions, while the second would have been, if built, his largest country house, approaching the grandeur and magnificence of the Viceroy's House in Delhi.

Type
Research Article
Copyright
Copyright © The Society of Architectural Historians of Great Britain 2017 

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References

NOTES

1 Richardson, Margaret and Stamp, Gavin, ‘Lutyens and Spain,’ AA Files, 3 (1983), pp. 5159 Google Scholar.

2 Hussey, Christopher, The Life of Sir Edwin Lutyens (London, 1950), pp. 384–87Google Scholar.

3 The Liria Palace was almost completely destroyed by fire in 1936, and the letters that Lutyens exchanged with ‘Nando’ Peñaranda and ‘Jimmy’ Alba were lost together with his plans for both the Liria and El Guadalperal estates. The library at La Ventosilla was also burnt during the Civil War, along with any drawings and letters that might have been stored there.

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11 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 23 October 1915.

12 Ibid.

13 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 23 October 1915: ‘there are some good Goya's and many other Spanish pictures, Van Dyck … beautiful tapestries.’

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19 Ibid.

20 Ibid.

21 Ibid.

22 Ibid.

23 Ibid.

24 Ibid., 17 October 1916.

25 Ibid.

26 Ibid., 20 November 1916.

27 Ibid., 21 November 1916.

28 Ibid., 22 November 1916.

29 Ibid., 7 August 1917. Similar information, reporting meetings with Peñaranda is given in letters written on 21 August, and 11 and 14 Sepember.

30 ‘De Sociedad’, Periódico ABC, 10 November 1917, p. 11.

31 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 3 January 1917.

32 Ibid., 23 October 1915.

33 Progress at El Guadalperal was briefly explained in ‘The Unfinished Palace’, the statement that Hinton wrote at Christopher Hussey's request and which has regrettably disappeared from the Scotney Castle archive. Fortunately, the key information in it was used by Richardson and Stamp in ‘Lutyens in Spain’.

34 El Guadalperal, Spain,’ The Building News and Engineering Journal, 113 (1917), pp. 284 and 290–96Google Scholar; ‘House in El Guadalperal, Spain’, The Builder, 11 May 1917.

35 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 9 February 1919.

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37 Hussey, The Life, p. 14.

38 RIBA Drawings and Archives Collection, PB 90A/LUT[407].

39 Ibid., PA1609/LUT(251) 1, 2 and 3.

40 Ibid. PA1609/LUT(251)1.

41 Ibid. DR60 / 9 (1–3).

42 Ibid., DR60 / 9 (4–12).

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44 RIBA Drawings and Archives Collection, E.L. Lutyens to Lady Emily, 23 October 1915.

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52 Ibid.

53 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 27 October 1915.

54 Ibid., PA1608/LUT[224](1–6).

55 For example, F. P. Allen, ‘San Diego Exposition’, The Burlington Magazine, 32 (1915), pp. 116–26; C. Bukwith, ‘The Development of Architecture in California,’ The Burlington Magazine, 3 (1918), pp. 145–49; ‘The Panama Pacific Exposition’, The Builder, 109 (1915), 291–94.

56 ‘Official Architecture in India’, The Builder, 110 (1916), pp. 209–10.

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62 Hussey, The Life, p. 385.

63 Ibid.

64 For this the Ministry of Agriculture bestowed upon him the Great Cross of Agriculture (Gaceta de Madrid, 11 June 1929).

65 ‘Viajeros’, Periódico ABC, 20 March 1921, p. 14.

66 ‘De Sociedad Ecos Diversos,’ Periódico ABC, 27 January 1922, p. 15.

67 See Richardson and Stamp, ‘Lutyens in Spain’ as above nn. 1 and 33.

68 Farré, Juan Avilés, Seoane, Susana Sueiro and Pérez-Grueso, Dolores Elizalde, Historia Política 1875–1939: Historia de España Contemporánea (Madrid, 2002), p. 307Google Scholar.

69 Together with the trips of 1925 and 1926, Hussey (The Life, p. 456) mentions briefly another one in 1924 of which no documentary evidence has been found.

70 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 5 December 1925.

71 Ibid., 26 November 1926.

72 Ibid.

73 See Richardson and Stamp, ‘Lutyens in Spain’ as above nn. 1 and 33.

74 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 27 October 1915.

75 For example, in December 1926 (Periódico ABC, 11 December 1926, p. 15) and in November (Periódico ABC, 12 November 1929, p. 25).

76 Hussey, The Life, p. 464.

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81 Butler, Arthur S.G., The Domestic Architecture of Sir Edwin Lutyens (London, 1950), p. 55Google Scholar.

82 See Richardson and Stamp, ‘Lutyens in Spain’ as above nn. 1 and 33.

83 Ibid.

84 La Gaceta de Madrid, 25 February 1933.

85 RIBA Drawings and Archives Collection, Lutyens to Lady Emily, 14 June 1934.

86 Escolar, José Luis Sampedro, La Casa de Alba (Madrid, 2007), p. 245Google Scholar.

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