In this article, we wish to return to the suggestion made by Sarah Tarlow a decade ago about the importance of understanding emotions in archaeology as a central facet of human being and human actions. We suggest a further expansion of this that focuses exclusively on the relationship between material culture and emotions (as opposed to textually, verbally or iconographically informed approaches), and offer a vocabulary that may better equip archaeologists to incorporate emotions into their interpretations. We attempt to show the implications of such a vocabulary in a specific British Neolithic case study at the henge monument of Mount Pleasant.