It has been more than once remarked that the study of medieval monastic architecture and arrangement can be better studied in this country than anywhere on the continent of Europe, and for this there are several sufficient reasons. In England the Reformation, and with it the suppression of the monasteries, coincided in date with the general abandonment of Gothic architecture and the dawn of the English Renaissance. Consequently, any surviving remains of a monastic house in this country (except where the buildings were converted into a mansion) are of the period when monachism was a living force, and before its vitality had been sapped by the commendatory system of government and its architecture translated into the foreign language ofthe Renaissance. Furthermore, compared with the continent, this country, after the Reformation, suffered comparatively little from the effects of civil strife; such strife as took place was less religious than political, and in it the monasteries had been too long untenanted to be a symbol of Romanism and called forth no animosity even in the Puritan soldiery. The matter was quite otherwise in both France and Germany, where the wars of religion inflicted grievous harm on the corpus of ecclesiastical building when the pendulum swung to the Protestant side. The wider tolerance of the later seventeenth and of the eighteenth century was even more destructive, in these countries, to monastic architecture of the middle ages, for with a more settled social state a new era of monastic building began which transformed the vast majority of French, Belgian, and South German convents into examples, often magnificent enough, of the contemporary Renaissance style in which all trace of the medieval arrangement is lost.