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Published online by Cambridge University Press: 15 November 2011
The wall paintings in Friskney church, upon which this is a concluding paper, have already formed the subject of former communications to the Society in 1881, 1883, 1884, 1886, and 1891, which have been duly printed in Archaeologia. The subjects of the paintings have now all been ascertained, and appear to be as follows:
North clerestory (from west to east):
1. King David and the Prophets;
2. The Annunciation;
3. The Nativity;
4. The Resurrection;
5. The Ascension;
6. The Assumption.
South clerestory (from west to east):
1. The Pope and the Doctors of the Church;
2. The Gathering of the Manna;
3. The Last Supper;
4. The King doing homage to the Host;
5. The Irreverent Woman;
6. The Jews stabbing the Host.
page 371 note a Vols. xlviii. 270-280; 1. 281-286; and liii. 427-432.
page 371 note b Vol. liii. plates xxix. xxx. and xxxi.
page 372 note a Archaeologia, xlviii. 275–276Google Scholar.
page 373 note a This may, however, be the top of one of the uprights of the wattle sence.
page 374 note a The figure nearest the Pope is clad in blue.
page 374 note b Foss, Edward, The Judges of England (London, 1851), iii. 430, 431.Google Scholar