The piece of tapestry that forms the subject of this communication has but the shortest of histories (pl. VII). It formed part of the Heckscher Collection sold at Messrs. Christie's in 1898; and, attracted by the interesting character of the subject and the admirable preservation and brilliant colouring of the fabric itself, I secured it soon after the sale as it was on the point of going abroad. The Heckscher Collection was brought together in Vienna, and was of a miscellaneous character, containing some very fine works of art, among them an unusually perfect crosier head by Frere Hugo, the famous Flemish goldsmith, which I was fortunate in securing for the British Museum. It is hardly necessary to say that although the collection was formed in Austria, the objects composing it had been derived from a variety of sources, not least from England, as e. g. a Rhenish enamel formerly in the Beresford Hope Collection. No indication is given of the source whence the tapestry was derived. Since it has been in my possession it has been seen by a great number of my colleagues in continental museums and elsewhere abroad. All of these, French, German, Swiss, Flemish, and Spanish, were greatly intrigued as to its country of origin, but in every case each felt sure that it was not a product of his own country. Thus the panel acquired an added interest, and I had a photograph made, and circulated it among a limited number of authorities on the subject, both in England and abroad.