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II.—The Jutish Style A. A Study of Germanic Animal Art in Southern England in the Fifth Century A.D*

Published online by Cambridge University Press:  19 July 2011

Sonia Chadwick Hawkes
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Extract

In 1915 Professor Baldwin Brown drew attention to a class of metalwork, found in Anglo-Saxon graves in the south of England, and decorated with examples of a distinctive animal style, more naturalistic than Anglo-Saxon style I. This style he considered to be a direct descendant of late Roman art forms, although produced, not in the years immediately following the Anglo-Saxon settlement, but after a considerable time lapse, towards the middle of the sixth century. A similar view was expressed in 1923 by Reginald Smith. Nils Åberg, writing in 1926, was noncommittal about dates, but saw the inspiration for the style in a blend of late Roman and Eastern Mediterranean tradition. It was not until 1936, however, that a more detailed critical estimate of the objects was published, this time by E. T. Leeds in his Early Anglo-Saxon Art and Archaeology. Leeds compared their decoration with that of examples of Gallo-Roman art in the late fourth and early fifth centuries and concluded that they came from the same style milieu. He wrote:

All the pieces here noticed clearly belong to a cultural phase, presenting indeed many affinities to the Germanic style of the settlement period; but, in reality, they represent a continental style antecedent to that development in southern England. … There is every reason to believe that they are objects ante-dating the invasion, and, if it is desired to know what native women were wearing before or at the time of Hengist’s landing, this group supplies the information.

Type
Research Article
Information
Archaeologia , Volume 98 , 1961 , pp. 29 - 74
Copyright
Copyright © The Society of Antiquaries of London 1961

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