Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-25T19:46:18.292Z Has data issue: false hasContentIssue false
  • English
  • Français

Shifting paradigms in Classical art history

Published online by Cambridge University Press:  02 January 2015

Jeremy Tanner
Jeremy Tanner*
Affiliation:
Institute of Archaeology, University College London, 31–34 Gordon Square, London WC1H 0PY, England
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review articles
Information
Antiquity , Volume 68 , Issue 260 , September 1994 , pp. 650 - 655
Copyright
Copyright © Antiquity Publications Ltd. 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bernal, M. 1987. Black Athena: the Afroasiatic roots of Classical civilisation 1: The fabrication of ancient Greece 1785–1985. London: Free Association Books.Google Scholar
Bowen, J. 1989. Education, ideology and the ruling class: Hellenism and English public schools in the nineteenth century, in Clarke (1989): 161–86.Google Scholar
Clarke, G.W. (ed.). 1989. Rediscovering Hellenism: the Hellenic inheritance and the English imagination. Cambridge: Cambridge University Press.Google Scholar
Connor, P. 1989. Cast-collecting in the nineteenth century: scholarship, aesthetics, connoisseurship, in Clarke (1989): 187–235.Google Scholar