Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by Crossref.
Pollard, Joshua
and
Gillings, Mark
1998.
Romancing the stones.
Archaeological Dialogues,
Vol. 5,
Issue. 2,
p.
143.
Watson, Aaron
and
Keating, David
1999.
Architecture and sound: an acoustic analysis of megalithic monuments in prehistoric Britain.
Antiquity,
Vol. 73,
Issue. 280,
p.
325.
Watson, Aaron
2001.
Composing Avebury.
World Archaeology,
Vol. 33,
Issue. 2,
p.
296.
Robb, John
2001.
Island identities: ritual, travel and the creation of difference in Neolithic Malta.
European Journal of Archaeology,
Vol. 4,
Issue. 2,
p.
175.
Berggren, Åsa
and
Hodder, Ian
2003.
Social Practice, Method, and Some Problems of Field Archaeology.
American Antiquity,
Vol. 68,
Issue. 3,
p.
421.
Levy, Richard M.
Dawson, Peter C.
and
Arnold, Charles
2004.
Reconstructing traditional Inuit house forms using three-dimensional interactive computer modelling.
Visual Studies,
Vol. 19,
Issue. 1,
p.
26.
Dawson, Peter
Levy, Richard
Gardner, Don
and
Walls, Matthew
2007.
Simulating the behaviour of light inside Arctic dwellings: implications for assessing the role of vision in task performance.
World Archaeology,
Vol. 39,
Issue. 1,
p.
17.
Bruchez, Margaret Sabom
2007.
Artifacts that speak for themselves: Sounds underfoot in Mesoamerica.
Journal of Anthropological Archaeology,
Vol. 26,
Issue. 1,
p.
47.
Skeates, Robin
2008.
Making Sense of the Maltese Temple Period: An Archaeology of Sensory Experience and Perception.
Time and Mind,
Vol. 1,
Issue. 2,
p.
207.
Cook, Ian A.
Pajot, Sarah K.
and
Leuchter, Andrew F.
2008.
Ancient Architectural Acoustic Resonance Patterns and Regional Brain Activity.
Time and Mind,
Vol. 1,
Issue. 1,
p.
95.
Chazan, Michael
and
Horwitz, Liora Kolska
2009.
Milestones in the development of symbolic behaviour: a case study from Wonderwerk Cave, South Africa.
World Archaeology,
Vol. 41,
Issue. 4,
p.
521.
McMahon, Augusta
2013.
Space, Sound, and Light: Toward a Sensory Experience of Ancient Monumental Architecture.
American Journal of Archaeology,
Vol. 117,
Issue. 2,
p.
163.
Reynolds, Ffion
and
Adams, Dylan
2014.
Sound and Performance in Public Archaeology: Examining the Benefits of Outdoor Learning with Creative Engagement at the Neolithic Site of Tinkinswood Burial Chamber, Vale of Glamorgan.
Time and Mind,
Vol. 7,
Issue. 1,
p.
13.
McBride, Alexis
2014.
The acoustics of archaeological architecture in the Near Eastern Neolithic.
World Archaeology,
Vol. 46,
Issue. 3,
p.
349.
Blake, Elizabeth C.
and
Cross, Ian
2015.
The Acoustic and Auditory Contexts of Human Behavior.
Current Anthropology,
Vol. 56,
Issue. 1,
p.
81.
Was, John
and
Watson, Aaron
2017.
Neolithic monuments: sensory technology.
Time and Mind,
Vol. 10,
Issue. 1,
p.
3.
Fowler, Kent D
Sandred, Örjan
and
Whiteway, Autumn
2017.
Acoustic perceptions of vessel fitness in southern Africa.
Journal of Material Culture,
Vol. 22,
Issue. 3,
p.
261.
Till, Rupert
2017.
An archaeoacoustic study of the Ħal Saflieni Hypogeum on Malta.
Antiquity,
Vol. 91,
Issue. 355,
p.
74.
Kopij, Kamil
and
Pilch, Adam
2019.
The Acoustics ofContiones, or How Many Romans Could Have Heard Speakers.
Open Archaeology,
Vol. 5,
Issue. 1,
p.
340.
Wolfe, Kristina
Swanson, Douglas
and
Till, Rupert
2020.
The frequency spectrum and geometry of the Ħal Saflieni Hypogeum appear tuned.
Journal of Archaeological Science: Reports,
Vol. 34,
Issue. ,
p.
102623.