Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by
Crossref.
Ripoll, Sergio
Muñz, Francisco
Bahn, Paul
and
Pettitt, Paul
2004.
Palaeolithic Cave Engravings at Creswell Crags, England.
Proceedings of the Prehistoric Society,
Vol. 70,
Issue. ,
p.
93.
Martin, Yves
2004.
Découvertes de peintures dans la grotte paléolithique de Gouy (Seine-Maritime) : apport d'un éclairage inhabituel dans l'étude de l'art pariétal.
Comptes Rendus Palevol,
Vol. 3,
Issue. 2,
p.
143.
Pike, Alistair W.G.
Gilmour, Mabs
Pettitt, Paul
Jacobi, Roger
Ripoll, Sergio
Bahn, Paul
and
Muñoz, Francisco
2005.
Verification of the age of the Palaeolithic cave art at Creswell Crags, UK.
Journal of Archaeological Science,
Vol. 32,
Issue. 11,
p.
1649.
Nowell, April
2006.
From A Paleolithic Art to Pleistocene Visual Cultures (Introduction to two Special Issues on ‘Advances in the Study of Pleistocene Imagery and Symbol Use’).
Journal of Archaeological Method and Theory,
Vol. 13,
Issue. 4,
p.
239.
Brown, A.G.
2008.
Geoarchaeology, the four dimensional (4D) fluvial matrix and climatic causality.
Geomorphology,
Vol. 101,
Issue. 1-2,
p.
278.
Behrmann, Rodrigo de Balbín
and
Ramírez, Primitiva Bueno
2009.
Altamira, un siècle après : art paléolithique en plein air.
L'Anthropologie,
Vol. 113,
Issue. 3-4,
p.
602.
López, Sergio Ripoll
2009.
Le premier art rupestre paléolithique du Royaume-Uni, les gravures de Creswell Crags (Derbyshire).
L'Anthropologie,
Vol. 113,
Issue. 5,
p.
679.
Pigeaud, Romain
Plagnes, Valérie
Bouchard, Michel
Bahain, Jean-Jacques
Causse, Christiane
Demailly, Sylvie
Falguères, Chafika
Laval, Éric
Noël, Franck
Rodet, Joël
Valladas, Hélène
and
Walter, Philippe
2010.
Analyses archéométriques dans la grotte ornée Mayenne-Sciences (Thorigné-en-Charnie, Mayenne).
L'Anthropologie,
Vol. 114,
Issue. 1,
p.
97.
Straus, Lawrence Guy
2013.
After the Deep Freeze: Confronting “Magdalenian” Realities in Cantabrian Spain And Beyond.
Journal of Archaeological Method and Theory,
Vol. 20,
Issue. 2,
p.
236.
Bednarik, Robert
2014.
Pleistocene Paleoart of Europe.
Arts,
Vol. 3,
Issue. 2,
p.
245.
Bednarik, Robert G.
2017.
Equine petroglyphs in Europe.
Journal of Archaeological Science: Reports,
Vol. 13,
Issue. ,
p.
222.
Ruiz-Redondo, Aitor
Yanovskaya, Katherin
and
Zhitenev, Vladislav S.
2020.
The Easternmost European Palaeolithic Artists: Iconography and Graphic Features at Kapova Cave (Southern Urals, Russia).
Journal of Paleolithic Archaeology,
Vol. 3,
Issue. 4,
p.
967.
Buckley, Michael
and
Cheylan, Marc
2020.
Collagen fingerprinting for the species identification of archaeological amphibian remains.
Boreas,
Vol. 49,
Issue. 4,
p.
709.
Huisheng, Tang
and
Bednarik, Robert G.
2021.
Rock art dating by 230Th/234U analysis: an appraisal of Chinese case studies.
Archaeological and Anthropological Sciences,
Vol. 13,
Issue. 1,
Walton, Georgina
Mitchley, Jonathan
Reid, Geraldine
and
Batke, Sven
2023.
Absence of botanical European Palaeolithic cave art: What can it tell us about plant awareness disparity?.
PLANTS, PEOPLE, PLANET,
Vol. 5,
Issue. 5,
p.
690.
Salas-Altès, Míriam
García-Diez, Marcos
Maria Vergès, Josep
Cebrià, Artur
Soto, María
and
Ignacio Morales, Juan
2024.
Paleolithic cave art at Simanya Gran (Northeast of Spain): New graphic and symbolic expressions in novel territories.
Journal of Archaeological Science: Reports,
Vol. 57,
Issue. ,
p.
104626.
Ruiz-Redondo, Aitor
2024.
Deep-Time Images in the Age of Globalization.
p.
19.