Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-18T09:15:07.776Z Has data issue: false hasContentIssue false

Motivation in African rock art

Published online by Cambridge University Press:  02 January 2015

Abstract

A very wide field of African rock art, both paintings and engravings, is covered in Burchard Brentjes: African rock art, with special reference to South Africa, Rhodesia, the Sahara, North Africa and Egypt. Because of the general nature of the book, there is little attempt to be comprehensive or conclusive, the aim being more to foster an appreciation and awareness of the art than to solve problems or place it in an archaeological context.

Type
Research Article
Copyright
Copyright © Antiquity Publications Ltd 1972

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Beier, U. 1963. African mud sculpture (Cambridge).Google Scholar
Bleek, D. F. 1924. The Mantis and his friends: Bushman folklore (London).Google Scholar
Brentjes, B. 1969. African rock art (London).Google Scholar
Cohen, P. S. 1969. Theories of myth, Man, IV (3), 33753.Google Scholar
Cooke, C. K. 1964. Animals in Southern Rhodesian rock art, Arnoldia, I (13), 122.Google Scholar
Cooke, C. K. 1969. Rock art of Southern Africa (Cape Town).Google Scholar
Dieterlen, G. 1966. Les fresques d’époque bovidienne du Tassili n’Ajjer et les traditions des Peul: hypophésis d’interprétation. J. Soc. Afr., (I), 14157.Google Scholar
Griaule, M. 1938. Masques Dogons (Paris).Google Scholar
Holm, E. 1961. Rock art of South Africa in (ed. Bandi, H. G. et al.) The art of the Stone Age (London).Google Scholar
Lee, D. N., and Woodhouse, H. C.. 1970. Art on the rocks of Southern Africa (Cape Town).Google Scholar
Levine, M. H. 1957. Prehistoric art and ideology, American Anthropologist, LIX, 94964.CrossRefGoogle Scholar
Levi-Strauss, C. 1962. La pensée sauvage (Paris).Google Scholar
Maggs, T. M. O’C. 1967. A quantitative analysis of the rock art from a sample area in the Western Cape. S. Afr. J. Sci., LXIII (3), 1004.Google Scholar
Pager, H. In press. The rock art of the Ndedema gorge and neighbouring valleys, S. Afr. J. Sci.Google Scholar
Rosenthal, E. and Goodwin, A. J. H.. 1953. Cave artists of South Africa (Cape Town).Google Scholar
Rudner, J. and , I. 1970. The Hunter and his art (Cape Town).Google Scholar
Scharf, B. R. 1970. The sociological study of religion (London).Google Scholar
Smits, L. G. A. In press. The rock paintings of Lesotho, their content and characteristics, S. Afr. J. Sci.Google Scholar
Stow, G. W., and Bleek, D. F.. 1930. Rock paintings in South Africa (London).Google Scholar
Ucko, P. J., and Rosenfeld, A.. 1967. Palaeolithic cave art (London).Google Scholar
Vinnicombe, P. 1967. Rock painting analysis, S. Afr. Archaeol. Bull., XXII (88), 12941.CrossRefGoogle Scholar
Vinnicombe, P.. 1967 In ms. People of the Eland.Google Scholar
Willcox, A. R. 1956. Rock paintings of the Drakensberg.Google Scholar
Willcox, A. R. 1963. The rock art of South Africa (London).Google Scholar