Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-29T08:54:15.218Z Has data issue: false hasContentIssue false
  • English
  • Français

Ice Age art: arrival of the modern mind - Jill Cook. Ice Age art: arrival of the modern mind. 288 pages, numerous illustrations. 2013. London: British Museum Press; 978-0-7141-2333-2 hardback £ 25.

Published online by Cambridge University Press:  02 January 2015

Paul Bahn  and
Paul Pettitt
Paul Bahn
Affiliation:
1428 Anlaby Road, Hull HU3 6QP, UK
Paul Pettitt
Affiliation:
2Department of Archaeology, Durham University, South Road, Durham DH1 3LE, UK
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review articles
Information
Antiquity , Volume 87 , Issue 337 , September 2013 , pp. 905 - 908
Copyright
Copyright © Antiquity Publications Ltd 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bahn, P.&, Pettitt, P.. 2009. Britain's oldest art: the Ice Age cave art of Creswell Crags. London: English Heritage.Google Scholar
Bahn, P. & Vertut, J.. 1997. Journey through the Ice Age. London: Weidenfeld & Nicolson.Google Scholar
Bégouën, R., Fritz, C., Tosello, G., Clottes, J., Pastoors, A. & Faist, F.. 2009. Le sanctuaire secret des bisons. Il y a 14 000 ans dans la caverne du Tuc dAudoubert. Paris: Somogy éditions d' art.Google Scholar
Bello, S.M., Delbarre, G., Parfitt, S.A., Currant, A.P., Kruszynski, R. & Stringer, C.B.. 2013. Lost and found: the remarkable curatorial history of one of the earliest discoveries of Palaeolithic portable art. Antiquity 87: 237—244.Google Scholar
Callaway, E. 2013. A distant mirror. Nature 495: 173.Google Scholar
Combier, J. & Jouve, G.. 2012. Chauvet Cave's art is not Aurignacian: a new examination of the archaeological evidence and dating procedures. Quartar 59: 131—152.Google Scholar
Giedion, S. 1962. The eternal present. The beginnings of art. New York: Pantheon.Google Scholar
Hublin, J.J., Talamo, S., Julien, M., David, F., Connet, N., Bodu, P., Vandermeersch, B. & Richards, M.P.. 2012. Radiocarbon dates from the Grotte du Renne and Saint-Césaire support a Neanderthal origin for the Chatelperronian. Proceedings of the National Academy of Sciences of the USA 109: 18743—18748.Google Scholar
Kehoe, A.B. 1991. No possible, probable shadow of doubt. Antiquity 65: 129—131.Google Scholar
MacClancy, J. 2013. Ancestral voices prophesying not war but art. Times Higher Education Supplement, 7 February 2013, pp. 44—45.Google Scholar
Rice, P. 1981. Prehistoric venuses: symbols of motherhood or womanhood? Journal of Anthropological Research 37: 402—414.Google Scholar
Russell, P.M.. 1993. Forme et imagination: l'image feminine dans l'Europe paleolithique. Paleo 5: 375—388.Google Scholar
De Saint Mathurin, S. 1971. Les biches du Chaffaud (Vienne). Vicissitudes d'une découverte. Antiquités Nationales 3: 22—28.Google Scholar
Sieveking, A. 1987. A catalogue of Palaeolithic art in the British Museum. London: British Museum Press.Google Scholar
Zilhão, J., D'Errico, F., Julien, M. & David, F.. 2011. Chronology of the site of Grotte du Renne, Arcy-sur-Cure, France: implications for radiocarbon dating. Before Farming 2011(3): 1—14.Google Scholar