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Published online by Cambridge University Press: 21 April 2011
This paper is intended as a contribution to a wider study of medieval secular decoration; but its starting point is the Doge's Palace in Venice. The medieval decoration of that palace has never received the direct and minute attention devoted to the magnificent decorations of later centuries. That is not to say that the original schemes have been entirely neglected; but they tend to be subordinated to discussions of the ‘Venetian Renaissance’ and to problems associated with the emergence of the ‘Myth of Venice’. Central to the present discussion is, of course, the Sala del Gran Consiglio, one of the largest chambers in medieval Europe with its various themes of Majesty, History and Ruler Portraits. The essence of that imagery is still present in the late sixteenth-century decorations installed after the disastrous fire of 1577.