^{page 123 note 1} Collingwood, Archaeology of Roman Britain, p. 176.

^{page 124 note 1} Journ. Brit. Arch. Assoc. ii (1846), pp. 281, 339Google Scholar; Gent. Mag., 1847, i, p. 185; Essex Review, 1894, iii, p. 145; R.C.H.M. Essex, iii, p. 193 (cf. p. xxvii, and ii, p. 68).

^{page 124 note 2} Trans. Essex Arch. Soc, old ser., i (1858), p. 198Google Scholar.

^{page 124 note 3} Proc. Soc. Ant. v, p. 30.

^{page 124 note 4} R. C. H. M. Essex, iii, p. 140.

^{page 124 note 5} Ibid.

^{page 124 note 6} ‘Without much doubt … Kelvedon’: Codrington, Roman Roads in Britain (1919), p. 178. A parallel case is the closely inhabited Ospringe area on the Watling Street in Kent, which must have centred upon the Itinerary station DUROLEVUM.

^{page 124 note 7} Iter ix: 8 Roman miles from Colchester and 12 from Chelmsford (CAESAROMAGUS). For the theory of a junction of roads here, see Trans. Essex Arch. Soc., new ser. xvii (1925–1926), pp. 228, 241Google Scholar.

^{page 125 note 1} Baldwin Brown, The Arts in Early England, iv, pp. 56 ff.

^{page 125 note 2} V.C.H. Essex, i, p. 326.

^{page 125 note 3} Baldwin Brown, op. cit., pp. 599–600, 445 ff.

^{page 125 note 4} V.C.H. Essex, i, p. 327.

^{page 125 note 5} Baldwin Brown, op. cit., pl. LXXXVII, from the King's Field, Faversham (British Museum).

^{page 127 note 1} Wilpert, J., Roma Sotteranea, ii, pls. XXXI, L, CL, CCXI. Rome 1903Google Scholar.

^{page 127 note 2} Guide to Early Christian Antiquities, 2nd ed., 1921, fig. 49.

^{page 127 note 3} Catalogue of Early Christian Antiquities (1901), no. 38.

^{page 127 note 4} Wulff, O., Altchristliche Bildwerke, no. 24. Berlin 1909.Google Scholar

^{page 127 note 5} A. Venturi, Storia dell'arte italiana, i, fig. 209.

^{page 127 note 6} Dalton, O. M., Byzantine Art and Archaeology, p. 699. Oxford 1911.CrossRefGoogle Scholar

^{page 127 note 7} Catalogue of Finger Rings, Early Christian … and Later, no. 179.

^{page 127 note 8} Guide to Anglo-Saxon Antiquities, fig. 108.

^{page 127 note 9} Proc. Soc. Ant. xxxii, pp. 56 ff.

^{page 127 note 10} Pagan monuments show confronted monsters with a vase between. The tomb of a Christian, Flavius Memorius, of the fourth century, which may previously have been used for a pagan burial has this subject (Le Blant, E., Inscriptions chrétiennes de la Gaule, no. 511, Paris 1856Google Scholar; illustrated in Lalauzière, Noble, Abrégé chronologique de l'histoire d'Arles, pl. XXII, Arles 1808)Google Scholar. In the museum at Charenton-sur-Cher a marble sarcophagus of the seventh century in the Merovingian style has on one side two gryphons, each touching with a fore-paw the gadrooned body of a two-handled vase, from which springs a conventional bifurcating jet of water (Blant, Le, Sarcophages chrétiens de la Gaule, p. 55, Paris 1886.Google Scholar

^{page 128 note 1} For the pine-cone surmounting the fountain of life see Proc. Soc. Ant. xxxii, pp. 60 ff.

^{page 128 note 2} Baldwin Brown, op. cit. pl. CLII, with p. 588.